Reviews archive
November 2016
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229 articles
- November 30
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- Ravencult – Force Of Profanation album review
- And last but not least... The prog rock roundup
- Dead Letter Circus, live in Glasgow
- Aisles, live in London review
- Anderson Rabin Wakeman, live in Massachusetts
- Profanal – Supreme Fire album review
- Dark Moon – Lost In Love And Fear album review
- Kyy – Beyond Flesh - Beyond Matter - Beyond Death album review
- Downfall Of Gaia – Atrophy album review
- Mike Keneally - Scambot 2 album review
- Impericon Never Say Die live review – London, Electric Ballroom
- Black Hole Generator – A Requiem For Terra album review
- November 29
-
- Richard Pinhas/Tatsuya Yoshida/Masami Akitaity- Process And Reality album review
- Ash Borer – The Irrepassable Gate album review
- Ranger – Speed & Violence album review
- Carl Verheyen - The Grand Design album review
- Goldray, live in London
- Pink Floyd The Early Years 1965 – 1972 – album review
- Nick Johnston - Remarkably Human album review
- Architects live review – 02 Institute, Birmingham
- Wolves At The Gate – Types & Shadows album review
- Whores – Gold album review
- Sibiir – Sibiir album review
- Jug Bundish - Quimeroide album review
- Razor Sharp Death Blizzard – You Will Burn album review
- November 28
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- Radkey – Delicious Rock Noise album review
- Nuclearte - Endo album review
- John Carpenter, live in London
- Upon A Burning Body – Straight From The Barrio album review
- Iamthemorning, live in London
- Katatonia, live in London
- Jean-Michel Jarre - Oxygène 3 album review
- The Wedding Present - Marc Riley Sessions Volume 1 album review
- Jadis - No Fear Of Looking Down album review
- Sarkom - Anti-Cosmic Art album review
- Bethlehem - Bethlehem album review
- The best psychedelic prog you can buy this month
- Camel Of Doom - Terrestrial album review
- November 27
- November 26
- November 25
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- The best prog metal you can buy this month
- Bad Touch - Truth Be Told album review
- The best alt.rock albums you can buy this month
- Colin Tench - Hair In A G-String album review
- Marianne Faithfull - No Exit album review
- The Rolling Stones - Blue & Lonesome album review
- Efterklang/Fundal - Leaves – The Colour Of Falling album review
- Trivium – Ember To Inferno: Ab Initio album review
- Kaipa - Kaipa/Inget Nytt Under Solen/Solo album review
- Memphis May Fire – This Light I Hold album review
- Paul Draper - EP Two album review
- Naberus – The Lost Reveries album review
- Phil Collins - The Singles Collection album review
- Superjoint – Caught Up In The Gears Of Application album review
- Hornss – Telepath album review
- November 24
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- Fruits Der Mer Roundup - The Honey Pot/Plankton/assorted 45s & EPs album review
- Megosh – Apostasy album review
- The Black Moods - Medicine album review
- Taxiwars - Fever album review
- Leprous – Live At Rockefeller Music Hall album review
- Last Great Dreamers - Transmissions From Oblivion album review
- Junior Bruce – Endless Descent album review
- Various Artists - The Bristol Heavy Rock Explosion album review
- Ion Dissonance – Cast The First Stone album review
- Jody Grind - One Step On / Far Canal album review
- Gone Is Gone – Echolocation album review
- Big Big Train - A Stone’s Throw From The Line album review
- Magic Mushroom Band - Pictures In My Mind: 1984-1994 reissue album review
- Death Valley High – Cvlt (As Fvck) album review
- Animals As Leaders – The Madness Of Many album review
- Enslaved – The Sleeping Gods - Thorn album review
- Ancress – Victoria/Jeiunium album review
- November 23
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- Dope – Blood Money Part 1 album review
- Moving Structures - Awake album review
- Electric Six - Fresh Blood For Tired Vampyres album review
- Destrage – A Means To No End album review
- Kai Hansen – XXX: Three Decades In Metal album review
- Red Fang - Only Ghosts album review
- Shaman Elephant - Crystals album review
- Saxon - Let Me Feel Your Power album review
- 65daysofstatic - One Time For All Time album review
- Grin Featuring Nils Lofgren - Grin, 1+1 & All Out reissue album review
- The DeRellas - Freakshow album review
- The KT Fellowship - Before The Dawn album review
- November 22
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- Avenged Sevenfold - The Stage album review
- Peter Doherty - Hamburg Demonstrations album review
- The Sore Losers - Skydogs album review
- Stevie Nicks - Reissues album review
- Mother Love Bone - On Earth As It Is: The Complete Works reissue album review
- Gringo Star - The Sides And In Between album review
- November 21
-
- Glenn Hughes - Resonate album review
- Sick Of It All - When The Smoke Clears album review
- Various Artists - Lazarus Original Cast Recording album review
- Hawkwind - The RCA Active Years reissue album review
- Phil Collins - Not Dead Yet book review
- XTC - Skylarking reissue album review
- Science Of Sleep - Hellmouth album review
- Asteroid - III album review
- Witchery - In His Infernal Majesty's Service album review
- Entrapment - Through Realms Unseen album review
- Rick Wakeman - No Earthly Connection album review
- November 20
-
- The best new blues albums you can buy this month
- We Used To Make Things - We Used To Make Things album review
- GBH - Ha Ha reissue album review
- Testament - Brotherhood Of The Snake album review
- Queen - On Air album review
- Chris Wood - Evening Blue album review
- Various - Snaggletooth: A Tribute To Lemmy album review
- Sister - Stand Up, Forward, March! album review
- November 19
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- Heart - Live at The Royal Albert Hall With The RPO DVD review
- Nightwish - Vehicle Of Spirit DVD review
- Theatre Of Hate - Westworld reissue album review
- Public Service Broadcasting - Live At Brixton DVD review
- The Afghan Whigs - Black Love (20th Anniversary Edition) reissue album review
- Slim Jim Phantom - A Stray Cat Struts book review
- Elephant Stone - Ship Of Fools album review
- Thee Oh Sees - An Odd Entrances album review
- November 18
- November 17
- November 16
- November 15
- November 14
- November 13
- November 12
- November 7
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- Rob Reed live in Wiltshire - review
- The Neal Morse Band – The Similitude Of A Dream album review
- Ravencult - Force Of Profanation album review
- Radkey - Delicious Rock Noise album review
- Jean-Michel Jarre live in Cardiff - review
- John Lennon and Yoko Ono - Reissues album review
- Animals As Leaders: The Madness Of Many is fusing metal into bold new forms
- Superjoint - Caught Up In The Gears Of Application
- Rick Wakeman – No Earthly Connection album review
- November 6
- November 5
- November 4
- November 3
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- Yob live review – London, Scala
- Trees Of Eternity album review – Hour Of The Nightingale
- Summer's End Festival live review
- Pentagram live review – London, The Dome
- T.O.M.B. album review – Fury Nocturnus
- Take Over And Destroy album review – Take Over And Destroy
- Steve Howe live in Manchester - review
- Soulburn album review – Earthless Pagan Spirit
- Ruins album review – Undercurrent
- Peter Hammill And The K Group Live At Rockpalast – Hamburg 1981 DVD review
- Electri_city: The Düsseldorf School Of Electronic Music - Rudi Esch book review
- The Kate Inside: Kate Bush photographed by Guido Harari 1982-1993 book review
- Neil Peart - Far And Wide: Bring That Horizon To Me! book review
- Pelander album review – Time
- Urfaust album review – Empty Space Meditation
- Ortega album review – Sacred States
- Naat album review – Naat
- Baltic Fleet - The Dear One album review
- Headless Kross album review – Projections 1
- Hail Spirit Noir album review – Mayhem In Blue
- November 2
-
- Maschine - Naturalis album review
- Eastern Front album review – Empire
- Greenslade - The Birthday Album – Live Switzerland 1974 album review
- Albez Duz album review – Wings Of Tzinacan
- Mammoth Weed Wizard Bastard - Y Proffwyd Dwyll album review
- Bölzer album review – Hero
- Red Fang live review – London, Koko
- Robocobra Quartet - Music For All Occasions album review
- An Endless Sporadic - Magic Machine album review
- Emerson, Lake & Palmer - Reissued album reviews
- Watchtower - Concepts Of Math: Book One album review
- X Japan live review – Tokyo, Makuhari Messe
- Steel Panther live review – London, Wembley Arena
- Metallica - Hardwired... To Self-Destruct album review
- Gojira live review – San Francisco, The Warfield
- Philip Clemo - Dream Maps album review
- Metallica - Hardwired... To Self-Destruct album review
- The Black Queen live review – London, Jazz Cafe
- The Gift - Why The Sea Is Salt album review
- Trap Them live review – London, Boston Music Rooms
- Broken DC - Astragal album review
- Giraffe Tongue Orchestra - Broken Lines album review
- Akercocke live review – London, Underworld
- Sphelm - These Roots Know No Boundaries album review
- Of Mice And Men live review – London, The Forum
- November 1
-
- Anthony Phillips - Private Parts & Pieces V-VIII album reviews
- Robert Glasper Experiment - ArtScience album review
- Forma - Physicalist album review
- Animals As Leaders - The Madness Of Many album review
- Sand - A Sleeper, Just Awake album review
- Half Past Four - Land Of The Blind album review
- Wakrat album review – Wakrat
- Crippled Black Phoenix - Bronze album review
- Vorvaň album review – Once Love Was Lost
- Enslaved - The Sleeping Gods – Thorn album review
- Vangelis - Rosetta album review
- This Be The Verse album review – This Be The Verse
- Various Artists - The Man Who Fell To Earth album review
- Sonic Syndicate album review – Confessions
- The best new progressive folk releases you can buy this month
- Pagandom album review – Hurt As A Shadow
- The Neal Morse Band - Similitude Of A Dream album review
- Out Came The Wolves album review – Strange Fate
- Monolith Wielder album review – Monolith Wielder
- Manatees album review – Helvellyn
- Every Time I Die album review – Low Teens
- Exist Immortal album review – Breathe
- Dreamarcher album review – Dreamarcher
- Voices From The Fuselage - Odyssey: Destroyer Of Worlds album review
- Kylver - The Island album review
