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“Originally a career-staller, this version really is essential”: Ultravox’s The Collection – Deluxe Edition
Revisited with deep attention to detail, Midge Ure and co’s imperial phase reissue is a genuine audio-visual banquet
The prog duo who lost their label for being too weird, and decided to get even weirder
Rush, Yes and King Crimson inspired them to confound expectations and create a three-album arc of otherworldly spirituality – in an era when, they believe, there’s no way to win the music industry game
The story of the Supertramp classic the band eventually found too difficult to play
A song that "exploded" out of Roger Hodgson’s head made Supertramp stars, and was loved by Princess Diana and the young princes William and Harry
Every Halestorm album ranked from worst to best
We rate the back catalogue of one of modern rock's very best bands
With Sober, Tool attracted mainstream attention – and the ire of one of rock’s greatest frontmen
Sober, the seminal single from 1993’s Undertow, made Maynard James Keenan and co. a quick success story, but not everybody was a fan
How Haken’s last line-up change powered seventh album Fauna
After struggling to escape the stagnation of lockdown, the return of an old friend inspired an “anything goes” attitude for their 2023 release
Every year the most unlikely prog supergroup spend three days shaping weirdo music. It works.
The trio have refined their approach to a project they only started for fun, admitting it’s exploded beyond any of their expectations and changed they way they look at their more usual activities
Steven Wilson seeks the sweet spot between pop and progression on Hand. Cannot. Erase.
Inspired by a tragic modern story, Steven Wilson's Hand. Cannot. Erase. is often hailed as his masterpiece. But is it?
