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Great new proggy sounds you need to hear from Einar Solberg, Evergrey, MONO, Crippled Black Phoenix and more in Prog's brand new Tracks Of The Week
By Jerry Ewing published
Cool new prog from Argovia, School Disco, Hedvig Mollestad Weejuns, Port Noir and more in all new Tracks Of The Week

Hotly-tipped fantasy doom metallers Castle Rat launch video for bombastic single Siren
By Fraser Lewry published
Castle Rat embark on a North American tour with Amon Amarth and Dethklok next week

Amaranthe's Elize Ryd would love to star in Wicked
By Emily Swingle published
Amaranthe vocalist Elize Ryd harbours a secret love for musicals - and would love to star in Wicked

Puscifer’s Maynard James Keenan and Carina Round discuss soundtracking the end times
By Niall Doherty published
Why we all need to put down our phone and pick up a glass of gin

How Slipknot's sweariest, angriest song helped them land the heaviest number one album ever
By Stephen Hill published
As soon as people heard that crushing first song on Iowa, they knew we weren't getting a soft, sell-out second album

Pink Floyd announce new compilation album including extended version of classic track
By Fraser Lewry published
New Pink Floyd collection 8-Tracks features songs recorded between 1971 and 1979

Why Roger Chapman sings about his shoe in Family classic Burlesque
By Mike Barnes published
The lead single from 1972 album Bandstand – featuring a newly-arrived John Wetton – was inspired by a club in a converted Leicester shop

16 albums into a 44-year career, German veterans Kreator are still doing their own thing
By Dave Ling published
Kreator's Krushers Of The World album is out now

The story of Jetboy, the band who could have saved glam metal but didn't
By Sleazegrinder published
Jetboy had the hooks, but record company indecision, an overdose and an unlikely haircut hampered their rise

“We’re the opening act again – a difficult pill”: Can Textures’ comeback album secure their achievements?
By Phil Weller published
They split up in 2017, feeling they’d been overshadowed by the djent bands they’d inspired. Much to their own surprise, they’ve returned with Genotype – a rewritten ending to the story they began with 2016’s Phenotype
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