”Raw and confessional”: Pure Reason Revolution’s Coming Up To Consciousness
Sixth album examines our final destination and demonstrates there’s no rule book for grieving
Sixth album examines our final destination and demonstrates there’s no rule book for grieving
Team player returns to prog with collaborators he discovered covering Yes songs
Trelldom only return when they have something to say, and new album ...By The Shadows... proves well worth the 17 year wait
Kings of noise the Jesus Lizard have returned to reclaim their crown
The Oregon goth rockers embrace the dark side on album three
Deliah Bon's second album is one worth celebrating
The newest offering from prog metal veterans Oceans Of Slumber is more than worthy of their impressive catalogue
Zetra haven't mastered their formula yet, but their debut album is promising all the same
Fifth solo album carries all the Pink Floyd mastermind’s trademarks, but there are notable differences too
Finger-picking good Kentucky-fried blues
After inspired work with Glenn Hughes on board, Dead Daisies album seven is a step backwards
David Gilmour’s fifth solo album muses on heavy concerns but dreams of cool evenings on the Mediterranean
After turning heads with Pressure & Time in 2011, Rival Sons returned to the studio with a new bassist and a fistful of big ideas
With Yes and Genesis between albums, Camel, Renaissance, Gentle Giant, Be Bop Deluxe, Soft Machine, Steve Hillage and Steve Hackett were among those proved here to be keeping the quality high
Las Vegas trio Palaye Royale dazzle on bold fourth album
Academic delivers trainspotterly detail with a personal touch in his in-depth analysis of the band’s work and achievements
Einar Solberg isn’t sure their eighth album is prog, although there’s plenty of evidence to argue otherwise