Reviews
Latest Reviews

Oasis: Don't Look Back In Anger might be the best film ever made about music's ability to emotionally impact vast crowds
By Fraser Lewry Published
Dovetailing with the announcement of the band's 2027 world tour, Oasis' new film is a genius piece of marketing. But it's also so much more than that

Evanescence's biggest ever London show is a triumphant spectacle powered by Amy Lee, an iconic team-up and some all-time anthems
By Will Marshall Published
Evanescence's O2 headline set feels like a long time coming, and they didn't disappoint

Gentle Giant's Octopus represents all of progressive rock's virtues
By Classic Rock Magazine Published
Gentle Giant's Octopus can be something of an acquired taste, with its multi-faceted approach and highbrow subject matter

Are Anthrax nearing the end? If so Cursum Perficio is a solid if imperfect send-off
By Paul Travers Published
After 12 albums and 45 years, Anthrax are still trying new things on Cursum Perficio

The Meffs deliver a confrontational, triumphant performance on new album Business
By Alex Burrows Published
Essex pistols The Meffs know what they want and are stopping for no one

Necropolitan proves Green Lung might be the UK's answer to Ghost
By Dom Lawson Published
Necropolitan charts yet another resounding success for Britain's hottest doom metal band

An emotional Jon Bon Jovi lights up London on his band's triumphant return to England's national stadium
By Paul Brannigan Published
Night one of Bon Jovi's three-night stand at Wembley Stadium offers redemption for JBJ

Stephen Stills finds catharsis and commercial success on the sprawling debut from Manassas
By Classic Rock Magazine Published
Surrounded by a talented group of musicians, including ex-Byrd Chris Hillman, Stephen Stills explores four musical avenues on four sides of vinyl
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