Apple AirPods (2019) review

Apple AirPods launched back in 2016 - but how do the 2019 versions stack up against the competition?

Apple Airpods review
(Image: © Apple)

Louder Verdict

If you can cope without noise cancelling and the fact that they aren't the very latest true wireless earphones on the market, the Apple AirPods (2019) are still definitely a worthwhile purchase, offering satisfying sound quality, some clever features and a reasonably snug fit. We're still not entirely sure about those long stems, though.


  • +

    New H1 chip adds extra features

  • +

    No artificial sound manipulation

  • +

    Generally a comfy fit

  • +

    Easy setup


  • -

    Long stems won't be to everyone's taste

  • -

    Lack of ear tips means they could fall out

  • -

    Not the best at high and low frequencies

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The second iteration of the popular Apple AirPods launched in March of 2019, with the best-selling true wireless ear buds offering a few notable improvements on the original set launched in 2016.

But with the Cupertino brand having since added the sleeker noise-cancelling AirPods Pros to its roster – and also set to add two brand-new products to the lineup in the near future – are these worth bothering with? It's time to find out.

Apple AirPods (2019) review: Design

AirPods and charging case on a man's hand

(Image credit: Future)

The 2019 AirPods look identical to their predecessors, which means those widely mocked long earbud stems are still intact. (Note that they're slightly shorter on the AirPods Pro). As with every other Apple product, the AirPods have a somewhat clean and sterile aesthetic – the polar opposite of Marshall's rock-inspired headphones line-up – but at least they're nice and light (just 4g per pod). 

They're also comfortable to wear, though a lack of ear tips means that anyone who doesn't have average-sized lugholes might find that the AirPods fall out as soon as they start head-banging. As with the original AirPods, there are no physical controls, so you'd better get used to tip-tapping – or asking Siri – to adjust the volume.

(Image credit: Apple)

Apple AirPods (2019) review: Features

Apple AirPods with the case open

(Image credit: Future)

With the second-gen AirPods, Apple has installed its latest H1 chip in place of the original buds' W1 chip – and the result is a whole suite of improved functionality. Nothing seismic, but enough to make the user experience that bit more satisfactory. Pairing is faster, latency is lower and the talk-time has increased from two hours to three hours. 

Thanks to a new auto-switching feature, you can go from listening to music on your phone to watching a movie on your tablet, and the AirPods will detect the change-over without being prompted. And an Audio Sharing function enables you and another AirPods owner to listen to the same device simply by tapping phones. How very romantic.

Another benefit of the H1 chip is that you can now get Siri's attention without using your hands. Got an iPhone? Apple's voice assistant will read out your incoming text messages, and you can even reply without taking your handset from your pocket – both of which are useful if you're in the middle of a workout or running to catch a bus.

To accompany the launch of the second-gen AirPods, Apple has designed a brand-new, optional charging case. As with the previous AirPods case, this one offers an additional 20 hours of talk time to go with the five hours provided by the buds themselves. This time, though, the case can be recharged wirelessly via a Qi-compatible mat. Not only that, but an LED charging indicator on the exterior of the case will let you know when it's juiced and ready for action (it's reckoned that you can get from 25% to 100% in just one hour). 

The new Apple AirPods charging case can also be bought separately and is compatible with the original AirPods, too.

(Image credit: Apple)

Apple AirPods (2019) review: Sound

Apple AirPod in a man's right ear

(Image credit: Future)

So, the latest AirPods don't look especially rock'n'roll, but do they sound it? Well, they're noticeably louder than their predecessors, which is great for those of us who like rock and metal. The extra volume is also rather useful because, unlike the AirPods Pro, these ear buds don't cancel out background noise.

As for sound quality, precious little has changed from the first-generation AirPods. That's not a bad thing at all, as the original buds were perfectly capable in that department. In the mid-frequency range especially, guitars, vocals and keyboards sound precise and punchy. And with Apple refusing to add any kind of artificial manipulation, music sounds as organic as a free range egg. This is a Good Thing.

The new AirPods aren't the bassiest ear buds around, and they're also prone to sounding harsh at the higher, trebly frequencies – so chin-scratching audiophiles might want to give them a swerve. But on the whole, they deliver a pretty high-quality listening experience.

Apple AirPods (2019) review: The competition

If the AirPods (2019) don't take your fancy, there are plenty of other true wireless earbuds on the market. For a start, there's the aforementioned AirPods Pro. Though they're considerably more expensive at $249/£249 (although you can pick them up for well below these retail prices), they come with effective noise cancellation, fit in your ears a little better and, through a firmware update available in autumn, will soon boast 3D audio technology – Apple's take on Dolby Atmos. (Note that the Cupertino brand is also expected to launch the AirPods 3 and the AirPods Lite at some point in the near future).

At a similar price point, the Sony WF-1000XM3 ($229.99/£169) and Sennheiser's Momentum True Wireless 2 ($299.95 / £279) both deliver excellent noise cancelling, decent sound quality and a chic design – though the former aren't ideal for sports.

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Steve May

Steve is a home entertainment technology specialist who contributes to a variety of UK websites and mags, including Louder Sound, Yahoo UK, Trusted Reviews, T3, The Luxe Review and Home Cinema Choice. Steve began his career as a music journo, writing for legendary rock weekly Sounds, under the nom de plume Steve Keaton. His coverage of post punk music was cited in the 2015 British Library exhibition Terror and Wonder: The Gothic Imagination, as a seminal influence on the Goth music scene.