Get immersed in James Johnston and Steve Gullick's haunting album trailer for Everybody's Sunset
Faust collaborator James Johnston and teams up with photographer Steve Gullick for the epic Everybody's Sunset
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
Photographer Steve Gullick and musician-artist James Johnston (Faust/Nick Cave & The Bad Seeds) have teamed up on the cinematic post-rock album, Everybody's Sunset – out on November 18 via God Unknown Records.
The creative pair first met in 1991 and formed the band ....Bender in 2004, but it wasn't until late 2019 that they decided to begin work on more experimental music. Everybody's Sunset is the second album released under their own names and follows on from 2021's We Travel Time. A keen fan of krautrock, prog readers might also know Johnston from his work with Faust on 2011's Something Dirty.
Everybody's Sunset sees the duo use violin, organ, guitar, banjo, autoharp, harmonica, piano, synthesisers and more to maximum effect across 10 tracks of experimental post-rock.
“A lot of the record is about tension,” says Johnston. “Eno and Tavener are things I was listening to; we were pushing away from songs.”
But it's the album's near-10-minute title track, which closes the album, that really brings together their avant-garde influences.
“This track, that’s the centre of the record, was cut together, cut apart, ending up almost unrecognisable from where it started and then goes off on a complete tangent,” explains Johnston.
“Even though we record fast, to keep a live feel, we really spent time on this album reassembling and disassembling a lot of the tracks. The fractured, wistful song has a kind of damaged psychedelic yearning we both love on Big Star's 3rd, or at least that’s what we were going for, which goes into a totally spacey and almost Wagnerian synth and string freak-out, or a Popol Vuh Herzog soundtrack. We were definitely both listening to side two of Low and Heroes at the time too and wanted to give the music a chance to stretch out, go somewhere unexpected.”
Sign up below to get the latest from Prog, plus exclusive special offers, direct to your inbox!
Pre-order Everybody's Sunset via Bandcamp and stream the album trailer below.
Tracklisting
1 The Moon & The Stars
2 Shimmer
3 A Fear Of Everything
4 Save Our Souls
5 Ice Moon
6 The Town That Couldn't Sleep
7 Medieval Death Song
8 A Greater Silence
9 Who I Who
10 Everybody's Sunset

Contributing to Prog since the very first issue, writer and broadcaster Natasha Scharf was the magazine’s News Editor before she took up her current role of Deputy Editor, and has interviewed some of the best-known acts in the progressive music world from ELP, Yes and Marillion to Nightwish, Dream Theater and TesseracT. Starting young, she set up her first music fanzine in the late 80s and became a regular contributor to local newspapers and magazines over the next decade. The 00s would see her running the dark music magazine, Meltdown, as well as contributing to Metal Hammer, Classic Rock, Terrorizer and Artrocker. Author of music subculture books The Art Of Gothic and Worldwide Gothic, she’s since written album sleeve notes for Cherry Red, and also co-wrote Tarja Turunen’s memoirs, Singing In My Blood. Beyond the written word, Natasha has spent several decades as a club DJ, spinning tunes at aftershow parties for Metallica, Motörhead and Nine Inch Nails. She’s currently the only member of the Prog team to have appeared on the magazine’s cover.
