Prog Features
Latest Features on Prog

“A guy said, ‘You ruined a classic song.’ Another said, ‘He wrote it!’”: Keith Emerson’s disastrous karaoke incident
By Malcolm Dome Published
The keyboard legend’s jam-packed career saw interactions with a varied cast from the ‘strange’ Dario Argento to Motörhead’s Lemmy

How Avenged Sevenfold aimed for discombobulation with Life Is But A Dream…
By David West Published
M Shadows explains how, after rejecting pressure to be the next Metallica, they embraced their prog tendencies more than ever before on their most recent album to date

Rush before Geddy Lee: Meet Jeff Jones, the bass player who stepped aside
By Andrew Daly Published
"As far as I remember, I was always there" - original Rush bassist Jeff Jones puts the story straight

“He was wandering off, not wanting to be a star”: The beginning of the end for Pink Floyd’s Syd Barrett
By Martin Kielty Published
1968 single will always be significant in their history – but not all for the best reasons

“Roger Waters had us trapped in limbo. I was putting my toe in the water”: David Gilmour’s solo career
By Daryl Easlea Published
Despite saying it’s less complicated to work alone, his association with Pink Floyd means he never wandered far, or for long, from the band

Crown Lands aim to harness Rush, Yes and geek power to fight radicalisation
By Fraser Lewry Published
Star Wars, Star Trek and Lord Of The Rings are among the epic inspirations behind latest album Apocalypse, which offers hope to those feeling end-of-days dread

When Mike Portnoy performed his Dream Theater 12-Step Suite – without Dream Theater
By Clay Marshall Published
Drummer was around half-way through his separation from the band he’d co-founded when his 50th birthday came up, and he decided to assemble the songs inspired by his fight against alcoholism

“There are things I won’t be able to do forever, such as singing Over My Head”: King’s X and Three Sides Of One
By Dave Ling Published
After a gap of 15 years Texan heavy prog rockers King's X delighted fans by releasing their 13th studio album in 2022

“Some men and women felt threatened by a woman appearing nude”: Hawkwind ex Stacia Blake’s life in art
By Rob Hughes Published
She busts myths about where she came from, how she joined and how she felt about Lemmy – but won’t discuss her departure from the space rock icons

Cool new prog from Haken, Stick Men, Happy The Man, Enslaved and more in Prog's brand new Tracks Of The Week
By Jerry Ewing Published
Great new prog you must hear from Susanna, Playgrounded, REZN and more in our all new Tracks Of The Week

How Blood And Thunder turned Mastodon from Southern misfits to 21st-century metal stars
By Matt Mills Published
Making a snarling concept piece about Moby-Dick doesn’t sound like a move for mainstream appeal, but that’s exactly what Mastodon found

It's 10 years since Radiohead last released an album and I accidentally got the only interview for it
By Niall Doherty Published
How a night on the tiles in Paris with Radiohead in 2016 turned into something more special

How Rick Wakeman proved everyone wrong with The Six Wives of Henry VIII
By Dave Ling Published
His 1973 debut solo album was roundly hated by label bosses and reviewers – but it became a coffee-table classic and gave him freedom from Yes

Why Roger Hodgson’s most ambitious Supertramp song still gives him goosebumps
By David West Published
Fool’s Overture, from 1977’s Even In The Quietest Moments, came together after a few years of stewing. It still takes its writer on a journey when he hears it

Pink Floyd’s fight over Comfortably Numb’s inclusion on The Wall was a key moment in their history
By Daryl Easlea Published
How the band changed dramatically between their first two shows at Earls Court in 1973 and their five-night return in 1981

Why the happy, positive Bruce Soord writes sad, melancholy solo albums
By David West Published
Ghosts In The Park contains songs he’d never take to The Pineapple Thief, or talk about in coffee shops. He explains how he found the collection of stories in hotel rooms

Devin Townsend feels like it took a 10-year dump to deliver The Moth
By Matt Mills Published
After pushing through a gruelling period of self-analysis, he reflects on not being allowed to express emotions, feeling abandoned, not crying in front of dogs – and what’s coming next
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