Malcolm Dome
Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.
In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.
Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing. He died in 2021.
Latest articles by Malcolm Dome

By Malcolm Dome Published
Visionaries Sean Harris and Brian Tatler came up with something so demanding they had to change rhythm section - which only served to confuse diehard fans

By Malcolm Dome Published
Health issues have made it almost impossible for Blodwyn Pig founder to play guitar – but he maintains ”it could be worse”

By Malcolm Dome Published
Former Cathedral frontman Lee Dorrian looks back on the making of a doom classic

By Malcolm Dome Published
They were inspired by prog heavyweights and their records have always contained surprising depth

By Malcolm Dome Published
The story behind Chicago doom lords Trouble’s landmark 1985 album The Skull – the album which helped shape a generation

By Malcolm Dome Published
Judas Priest’s landmark second album Sad Wings Of Destiny was released on this day in 1976

By Malcolm Dome Published
Emerson, Lake and Palmer legend, composer and synthesiser pioneer Keith Emerson fused the power of rock music with the beauty of classical

By Malcolm Dome Published
Chimaira helped start an entire a scene but never got the same acclaim as some of their peers. They hoped to change that with 2007’s classic Resurrection album

By Malcolm Dome Published
Bandleader insists he’s not prog and he’s never made a classic album - but he knows what he’s good at, and he still loves doing it

By Malcolm Dome Published
Zak Rizvi – a driving force for the band’s two most recent albums – once thought they were a southern rock or country rock band, until he dug deeper than Carry On Wayward Son and Dust In The Wind and found their prog roots

By Malcolm Dome Published
In 2006 Buckcherry released Crazy Bitch. The song title saw the band accused of misogyny, and the video made it a whole lot worse

By Malcolm Dome Published
Ian Anderson set out to make “the mother of all concept albums” while incorporating a large measure of Monty Python - but some people laughed at all the wrong places

By Malcolm Dome Published
Guitarist shares his love for troubadours, his connection with holiday TV shows, and admits that just because he’s spiritual, it doesn’t mean he’s a good person

By Malcolm Dome Published
Dennis DeYoung and Tommy Shaw believe that despite the big hits, the band always had something more substantial at heart

By Malcolm Dome Published
With Pink Floyd recently wound down, their drummer considered his future – and at the time it didn’t include his Saucerful of Secrets project

By Malcolm Dome Published
Terry Bozzio and Adrian Belew look back on the year Frank Zappa created Baby Snakes, Sheik Yerbouti, Joe's Garage and more

By Malcolm Dome Published
Their 1990 studio debut was full of prog promise - but one member’s reputed refusal to deal with his drug addiction limited their rise

By Malcolm Dome Published
Some dismissed their debut record as nothing more than a mess, but it’s actually a towering avant-garde achievement

By Malcolm Dome Published
Blue Öyster Cult‘s career was stuck in cruise control until their breakthrough album Agents Of Fortune and its haunting lead single elevated them to stardom

By Malcolm Dome Published
Goblin maestro picks key compositions that amplified classic scary movies

By Malcolm Dome Published
Live performance was an essential part of enjoying his own band’s work

By Henry Yates, Jerry Ewing, Malcolm Dome, Geoff Barton, Fraser Lewry Published
The 40 bitterest bust-ups in rock history: From fisticuffs to wars of words to litigation and beyond, rock'n'roll’s divorce courts are packed with ire and animosity:

By Malcolm Dome Published
Pin-up turned classical composer deeply inspired by a catalogue that shows “the difference between musicians who are entertainers versus musicians who are true artists”

By Malcolm Dome Published
Pere Ubu's 1978 esoteric art rock masterpiece The Modern Dance cleared the ground for much of the more adventurous music that's been recorded since

By Malcolm Dome Published
Violinist and keyboardist finds great joy in his work as a university lecturer
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