Malcolm Dome
Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.
In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.
Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing. He died in 2021.
Latest articles by Malcolm Dome

By Malcolm Dome, Geoff Barton Published
The American proggers’ 1976 single became their signature anthem – but they didn’t even want to record it at first

By Malcolm Dome Published
Roxy Music’s debut album was one the great glam rock albums of the early 1970s – and it still sounds way out there

By Malcolm Dome Published
Fifty years after Sad Wings Of Destiny was released, Judas Priest‘s second album still sounds like the birth of a legend

By Malcolm Dome Published
A key moment in the Canterbury band’s history came when the future Gong mastermind made contact with his former collaborator in 1966

By Malcolm Dome Published
Released the same year as The Beatles’ Sgt Pepper, Procol Harum’s debut album helped push music into a bold new era – but no one talks about it today

By Malcolm Dome Published
Straight outta Champaign, Illinois, Starcastle's love of Yes was true and pure

By Malcolm Dome Published
He’d never felt compelled to make music the way he did that day in 2001 – and he’s never felt it since

By Martin Kielty Published
The guitarist, along with Tomorrow frontman Keith West, found their band haunted by the spirit of Grocer Jack after Excerpt From A Teenage Opera reached No.2 in 1967

By Malcolm Dome Published
These 70s bands came, they rocked, and they vanished without trace

By Malcolm Dome Published
Their seventh studio album was the result of a failed attempt to make a movie – but the band leader believes many more significant things happened in the world of music that year

By Malcolm Dome Published
UK thrashers Sabbat made an overlooked classic with their second album, Dreamweaver: Reflections Of Our Yesterdays

By Malcolm Dome Published
Best known as Jon Anderson’s replacement in Yes, Benoît David rejoined the cult Canadian proggers to make the strongest album of their career

By Malcolm Dome Published
One of the few groups to ever get away with releasing a double-album as a debut, they’d started out as a covers band who’d rebuild and extend every song they played

By Malcolm Dome Published
If it wasn’t for Black Sabbath’s Tony Iommi, the world would sound very, very different

By Malcolm Dome Published
Les Holroyd is proud of BJH’s band’s first era – except for the time they rose to the bait of being compared to a rival band, and then he had to face one of its members

By Malcolm Dome Published
He pics his favourite Roxy record – but says it’s insulting to be made to choose just one artist from all those who matter to him

By Malcolm Dome Published
Megadeth were strung out and at war with each other when they made their third album So Far, So Good… So What!. And things were about to get worse…

By Malcolm Dome Published
An exploration of the best albums by King Crimson, Robert Fripp's ever-rotating gang of idiosyncratic, brilliant musicians

By Malcolm Dome Published
How Celtic Frost demolished metal’s boundaries with their classic 1987 album Into The Pandemonium

By Malcolm Dome Published
They basked in the 70s prog glory of King Crimson, Yes and Genesis to make their fourth album with a concept so strong they wanted to make it into a movie, but failed

By Malcolm Dome Published
Buying guide The Scorpions' 19 studio albums, ranked from woeful to wonderful

By Malcolm Dome Published
In 1970 Bram Stoker looked like the next big thing in prog. Guitarist Pete Ballam explained why it didn’t work out for them.

By Malcolm Dome Published
In 1985 guitarists Steve Hackett and Steve Howe hit the US Top 20 – and then it was suddenly all over

By Martin Kielty Published
1968 track and its associated antics enraged its original composer, shocked an American diplomat and got The Nice banned from the Royal Albert Hall for ever
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