Malcolm Dome
Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.
In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.
Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing. He died in 2021.
Latest articles by Malcolm Dome

Yes co-founder Tony Kaye’s 20-year journey to release his album about 9/11
By Malcolm Dome Published
He’d never felt compelled to make music the way he did that day in 2001 – and he’s never felt it since

Haunted by Grocer Jack: Steve Howe’s pre-Yes band were derailed by a standalone single
By Martin Kielty Published
The guitarist, along with Tomorrow frontman Keith West, found their band haunted by the spirit of Grocer Jack after Excerpt From A Teenage Opera reached No.2 in 1967

10 obscure but brilliant 70s bands who should have been huge
By Malcolm Dome Published
These 70s bands came, they rocked, and they vanished without trace

“He tore the whole thing to shreds and was very unkind”: Jethro Tull’s War Child and 1974
By Malcolm Dome Published
Their seventh studio album was the result of a failed attempt to make a movie – but the band leader believes many more significant things happened in the world of music that year

The story of Sabbat’s cult late 80s pagan-thrash classic Dreamweaver: Reflections Of Our Yesterdays
By Malcolm Dome Published
UK thrashers Sabbat made an overlooked classic with their second album, Dreamweaver: Reflections Of Our Yesterdays

Why Mystery sound like Pink Floyd, Genesis and Marillion
By Malcolm Dome Published
Best known as Jon Anderson’s replacement in Yes, Benoît David rejoined the cult Canadian proggers to make the strongest album of their career

Call them what you like, but Chicago know they’re a prog band
By Malcolm Dome Published
One of the few groups to ever get away with releasing a double-album as a debut, they’d started out as a covers band who’d rebuild and extend every song they played

The life and times of Tony Iommi, metal’s indestructible dark lord
By Malcolm Dome Published
If it wasn’t for Black Sabbath’s Tony Iommi, the world would sound very, very different

Poor Man’s Moody Blues: The story of a prog rock diss track
By Malcolm Dome Published
Les Holroyd is proud of BJH’s band’s first era – except for the time they rose to the bait of being compared to a rival band, and then he had to face one of its members

“People might be surprised, but Roxy Music influenced Celtic Frost”: Extreme metaller Tom G Warrior’s prog roots
By Malcolm Dome Published
He pics his favourite Roxy record – but says it’s insulting to be made to choose just one artist from all those who matter to him

How Megadeth made thrash metal’s most chaotic album
By Malcolm Dome Published
Megadeth were strung out and at war with each other when they made their third album So Far, So Good… So What!. And things were about to get worse…

Nine King Crimson albums to listen to and one to avoid
By Malcolm Dome Published
An exploration of the best albums by King Crimson, Robert Fripp's ever-rotating gang of idiosyncratic, brilliant musicians

The turbulent story of Celtic Frost’s avant garde thrash masterpiece Into The Pandemonium
By Malcolm Dome Published
How Celtic Frost demolished metal’s boundaries with their classic 1987 album Into The Pandemonium

Mastodon’s Crack The Skye was a triumph – but it could have been a whole lot more
By Malcolm Dome Published
They basked in the 70s prog glory of King Crimson, Yes and Genesis to make their fourth album with a concept so strong they wanted to make it into a movie, but failed

From cult psychedelic warriors to global rock superstars: Every Scorpions album ranked from worst to best
By Malcolm Dome Published
Buying guide The Scorpions' 19 studio albums, ranked from woeful to wonderful

“I discovered our album when a pub landlord showed me his copy”: The steampunk proggers who didn’t make it
By Malcolm Dome Published
In 1970 Bram Stoker looked like the next big thing in prog. Guitarist Pete Ballam explained why it didn’t work out for them.

“Our first song was our strongest. The whole thing was short-lived”: Genesis/Yes supergroup GTR’s single moment of glory
By Malcolm Dome Published
In 1985 guitarists Steve Hackett and Steve Howe hit the US Top 20 – and then it was suddenly all over

“We swore no more flags would be burnt. I did it again”: Keith Emerson and the world’s first instrumental protest song
By Martin Kielty Published
1968 track and its associated antics enraged its original composer, shocked an American diplomat and got The Nice banned from the Royal Albert Hall for ever

“We saw our name in 50ft letters and said, ‘We’ve made it!’: When the Moody Blues began to take themselves seriously
By Malcolm Dome Published
Justin Hayward and co weren’t sure how long they’d last after inheriting the music of Denny Laine - but they needn’t have worried

“A guy said, ‘You ruined a classic song.’ Another said, ‘He wrote it!’”: Keith Emerson’s disastrous karaoke incident
By Malcolm Dome Published
The keyboard legend’s jam-packed career saw interactions with a varied cast from the ‘strange’ Dario Argento to Motörhead’s Lemmy

A metal fan’s guide to prog legends Rush
By Malcolm Dome Published
Side long epics, mad concepts and unlikely hit singles – how Canadian visionaries Rush laid down the blueprint for prog metal

With a future Uriah Heep singer and rapidly changing style, were Lucifer’s Friend prog?
By Malcolm Dome Published
Embracing jazz, working with Krautrock icon Conny Plank and becoming early adopters of orchestration, the German band often didn’t know what would come out of their studio sessions

“It might seem odd for a death metal band to love him”: The prog rock icon who gave Gojira their identity
By Malcolm Dome Published
The French band were struggling for a direction before they deliberately introduced the eclectic British musician’s influence – then they started going places
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