Malcolm Dome
Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.
In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.
Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing. He died in 2021.
Latest articles by Malcolm Dome

“When it seemed like prog had run its course, Mick Pointer kickstarted the second wave”
By Malcolm Dome Published
Neo-prog drummer created the Marquee scene in the 80s and inspired the third generation – including Steven Wilson and Dream Theater – in the 90s, says guitarist

How stoner-doom kings Electric Wizard made the classic Dopethrone album
By Malcolm Dome Published
Electric Wizard frontman Jus Osborn on the making of the weed enthusiasts’ classic third album Dopethrone

How Iron Maiden made a 21st century masterpiece with A Matter Of Life And Death
By Malcolm Dome Published
In this classic Metal Hammer interview, Bruce Dickinson and Steve Harris reveal the story behind Iron Maiden’s 2006 album A Matter Of Life And Death

The ZZ Top albums you should definitely listen to
By Malcolm Dome Published
Buying guide The hirsute Texan rockers have an extensive track record – here we pick out the ZZ Top records essential for any collection

How Manowar delivered death to false metal with Hail To England
By Malcolm Dome Published
Manowar’s Hail To England is a mid-80s heavy metal classic

In 2009 another new technology was threatening music, but Radiohead had a solution
By Malcolm Dome Published
When social media rumours ran wild that the band were splitting up, bassist Colin Greenwood revealed the complexities and confidence of what was really going on

“We’ve moved beyond metal”: how Judas Priest reached for the sky with Nostradamus
By Malcolm Dome Published
Judas Priest released their controversial double album Nostradamus on June 16, 2008

How violence, rocket attacks and the Cold War helped Voivod make prog-thrash masterpiece Dimension Hatröss
By Malcolm Dome Published
The story of Voivod’s ground-breaking 1988 album Dimension Hatröss, the album that helped shaped modern prog metal

The Hawkwind albums you should definitely listen to
By Malcolm Dome Published
Buying guide For more than half a century, Hawkwind's ever-changing line-up of space rockers has consistently created challenging and highly influential albums

“I even suggested it was a yoghurt!” How Tangerine Dream got their name (we think)
By Malcolm Dome Published
It wasn’t a misunderstanding. Instead, Edgar Froese merged a psychedelic lyric with a surrealist joke to name his band – or at least that’s what he told us

How The Haunted rose above the chaos to make a cult 21st century metal classic with Made Me Do It
By Malcolm Dome Published
The chaotic story of Swedish ragers The Haunted’s classic second album, Made Me Do It

If you know how Henry Cow got their name, please tell the band
By Malcolm Dome Published
Percussionist Chris Cutler can only guess at the reasons behind the admittedly effective title

How Helloween invented power metal with Keeper Of The Seven Keys Parts I and II
By Malcolm Dome Published
The story of German power metal icons Helloween’s landmark late 80s Keeper Of The Seven Keys albums

The chaotic story of Misfits’ horror-punk classic Earth A.D./Wolfsblood
By Malcolm Dome Published
1983’s Earth A.D./Wolsblood album showed off Misfits at their fastest and most vicious – but it would become their gravestone

Call them what you like, but Chicago know they’re a prog band
By Malcolm Dome Published
One of the few groups to ever get away with releasing a double-album as a debut, they’d started out as a covers band who’d rebuild and extend every song they played

10 times metal bands worked with really unlikely collaborators
By Malcolm Dome Published
From members of the Monty Python crew to famous evolutionary biologists, here are some of the strangest hook-ups in rock history

When Sir Christopher Lee met Tony Iommi: “When I go to see a good concert from a metal band, it’s exhilarating”
By Malcolm Dome Published
In 2010, Metal Hammer brought together acting legend Sir Christopher Lee with Black Sabbath guitarist Tony Iommi for the ultimate metal summit

Testament’s The Legacy: the story behind a classic thrash metal debut album
By Malcolm Dome Published
Testament never scaled the heights of Metallica or Slayer, but their 1987 debut album The Legacy remains a thrash classic

“We took influences from the New York hardcore scene. Our stuff was faster than in the Bay Area”: the 100mph story of East Coast thrash
By Malcolm Dome Published
The inside story of 80s thrash’s great East Coast vs West Coast rivalry

The money Caravan spent, and the money they never received
By Malcolm Dome Published
When Pye Hastings and Geoffrey Richardson were interviewed by snooker icon Steve Davis, they admitted their “floaty and disorganised” state meant they were doomed to be victims of bad business decisions

“Grindcore really resonated with Americans. Our bands were being noticed before they’d even gone over there”: the ear-splitting history of Earache Records, the label that changed metal
By Malcolm Dome Published

“Often derided as a huge error by the NWOBHM heroes, it’s the start of an artistic journey that was never taken further”: Diamond Head’s dalliance with pure prog on Canterbury
By Malcolm Dome Published
Visionaries Sean Harris and Brian Tatler came up with something so demanding they had to change rhythm section - which only served to confuse diehard fans

The manager said, ‘Ian Anderson and the boys don’t want you in the band so you’ve been fired.’ I replied, ‘How can you fire me when I quit three weeks ago?’” Mick Abrahams’ life after Jethro Tull
By Malcolm Dome Published
Health issues have made it almost impossible for Blodwyn Pig founder to play guitar – but he maintains ”it could be worse”

“He phoned up the Jesus Army and claimed I was possessed by demons and needed help!”: how Cathedral dragged doom metal into the 1990s with their landmark debut album Forest Of Equilibrium
By Malcolm Dome Published
Former Cathedral frontman Lee Dorrian looks back on the making of a doom classic

“I’m happy we’ve had hits. But I do wish the record label had put out some of our challenging songs as singles”: Some only know them as ‘That Africa band,’ but how prog are Toto?
By Malcolm Dome Published
They were inspired by prog heavyweights and their records have always contained surprising depth
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