How Kansas cracked the charts with Carry On Wayward Son
In 1976 US prog rockers Kansas found themselves in the upper reaches of the US charts with a song that's become a drive time classic
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
By 1976, Kansas had released four US singles, without bothering even the lower reaches of the chart. But their fifth attempt changed everything. Carry On Wayward Son was actually edited for the single, with two minutes being shaved off the version featured on the Leftoverture album. It was the band’s only charting single in the UK, while in America only 1978’s Dust In The Wind did better, reaching number six. Carry On… has become a regular fixture on popular TV series Supernatural, being used in the opening episode of each of the first nine series, to set the scene.
Kerry Livgren remembers how Kansas’ biggest hit took them from “opening band to headline status”
Where did the inspiration for Carry On Wayward Son come from?
“I have no idea! I was under such pressure to write the album at that point that I kinda launched myself into a gear that I had never had before. I was a writing machine. I’d come home from rehearsal having learned one song, and that night I’d write the next one. This went on for days. Steve Walsh wasn’t writing at that time, so it all fell to me. Carry On Wayward Son was the last one I wrote. It was the last night we were in Topeka. I came into the studio on the last day and said, ‘I think you better hear this one’. The guys looked at each other and said, ‘We gotta do this’.”
(pic: Getty)
What was the reaction to it?
“Well, it went close to the top of the charts and stayed there for some time. It was a song where every component was a hook: the opening riff, the verse, the chorus, the middle section… Even the guitar solo was approached that way.”
Sign up below to get the latest from Prog, plus exclusive special offers, direct to your inbox!
Did you feel like pop stars?
“Well, no. We never felt like pop stars. We’d been beating the road for years and making albums. But that song opened the doors to a whole audience. It was the difference between being an opening band, and playing stadiums.”
Was having a hit a blessing or curse?
“Well, first of all, I’d say it’s a blessing. Even today, when the royalty cheques come in, it’s significant. Not only was it a financial blessing, but of course it opened up that whole new world of audiences for us. But it was also kind of a curse in that, as a writer, it increased the pressure on me to write hits. On the Point of Know Return album, we had to be all about writing another hit. Dust In The Wind was another similar case. It’s a gentle curse, though. I wouldn’t even use the word ‘curse’. Living up to it was the hard. And that’s what became challenging for the band members, living up to that expectation.”
Carry On Wayward Son b/w Questions Of My Childhood
(Kirshner, 1976)
Highest UK Chart Position: No.51 (No. 11 in America)
Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021.

