
Malcolm Dome
Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.
In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.
Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing. He died in 2021.
Latest articles by Malcolm Dome

“We were broke. We couldn’t even afford food or drink. That’s how bad things were”: how Judas Priest’s Sad Wings Of Destiny finally set them on the path to heavy metal immortality
By Malcolm Dome published
Judas Priest’s landmark second album Sad Wings Of Destiny was released on this day in 1976

Ten moments of maverick musical genius from Keith Emerson
By Malcolm Dome published
Emerson, Lake and Palmer legend, composer and synthesiser pioneer Keith Emerson fused the power of rock music with the beauty of classical

“We invented the New Wave Of American Heavy Metal as a joke”: how Chimaira bounced back from the edge of oblivion with Resurrection
By Malcolm Dome published
Chimaira helped start an entire a scene but never got the same acclaim as some of their peers. They hoped to change that with 2007’s classic Resurrection album

“Why is writing your own material such an obsession for so many people? They should be grateful we don’t write songs. They’d be terrible”: Manfred Mann has no time for his own back catalogue
By Malcolm Dome published
Bandleader insists he’s not prog and he’s never made a classic album - but he knows what he’s good at, and he still loves doing it

“People don’t realise the depth and diversity on the rest of the material. If you’re a Yes or Genesis devotee, this band should be on your radar”: Kansas’ image problem means even a future member struggled to discover them
By Malcolm Dome published
Zak Rizvi – a driving force for the band’s two most recent albums – once thought they were a southern rock or country rock band, until he dug deeper than Carry On Wayward Son and Dust In The Wind and found their prog roots

"That song will long outlive us. Can't think of a better calling card to leave behind": The Buckcherry song that'll be the band's epitaph
By Malcolm Dome published
In 2006 Buckcherry released Crazy Bitch. The song title saw the band accused of misogyny, and the video made it a whole lot worse

“We were spoofing the idea of the concept album, but in a fun way that didn’t totally mock it… It’s only in recent times that I’ve appreciated how complex the music is”: Why Jethro Tull’s Thick As A Brick needed to be serious - and a send-up
By Malcolm Dome published
Ian Anderson set out to make “the mother of all concept albums” while incorporating a large measure of Monty Python - but some people laughed at all the wrong places

“Oliver Wakeman scared me to death - he had so much energy coming out of him and I’d had just gone through my first series of cancer operations”: Gordon Giltrap is a loner who loves collaborating
By Malcolm Dome published
Guitarist shares his love for troubadours, his connection with holiday TV shows, and admits that just because he’s spiritual, it doesn’t mean he’s a good person

“We were inspired by the Brits at the start, then the British media forced us to become a different type of band. Made and broken in the UK, you could say”: The prog credentials of Styx
By Malcolm Dome published
Dennis DeYoung and Tommy Shaw believe that despite the big hits, the band always had something more substantial at heart

“I’ve been thinking of taking drum lessons… What I won’t do is put together a new band”: What Nick Mason said before he put together a new band
By Malcolm Dome published
With Pink Floyd recently wound down, their drummer considered his future – and at the time it didn’t include his Saucerful of Secrets project

“When I listen to Sheik Yerbouti and Joe’s Garage, it reminds me of what a giant he was." Frank Zappa's incredibly busy and industrious 1979
By Malcolm Dome published
Terry Bozzio and Adrian Belew look back on the year Frank Zappa created Baby Snakes, Sheik Yerbouti, Joe's Garage and more

“The hallmarks of Pink Floyd during the Obscured By Clouds era, with some deftly disturbing guitar plunges… A uniquely gifted and unfathomable band”: Thee Hypnotics’ Come Down Heavy remains hard to define
By Malcolm Dome published
Their 1990 studio debut was full of prog promise - but one member’s reputed refusal to deal with his drug addiction limited their rise

“Not a simple or easy album… it’s almost as if they want you to run away screaming. Regardless, it’s a towering avant-garde work”: The prog power of The Pop Group’s Y
By Malcolm Dome published
Some dismissed their debut record as nothing more than a mess, but it’s actually a towering avant-garde achievement

"I'll be honest here – I think they blew us off stage every single night": what happened when AC/DC went on tour with Ritchie Blackmore's Rainbow
By Geoff Barton published
In 1976 Ritchie Blackmore's Rainbow embarked on the Rising tour of Europe with a young band from Australia in tow: Ronnie James Dio was watching them very closely

“(Don’t Fear) The Reaper is about hope, rather than the finality of death. It’s a song about wishful thinking”: how Blue Oyster Cult’s Agents Of Fortune album became their passport to immortality
By Malcolm Dome published
Blue Öyster Cult‘s career was stuck in cruise control until their breakthrough album Agents Of Fortune and its haunting lead single elevated them to stardom

“You don’t need big orchestras and lots of notes to make things come alive. Just three notes will do, if they’re the right ones”: How to horrify, by movie soundtrack specialist Claudio Simonetti
By Malcolm Dome published
Goblin maestro picks key compositions that amplified classic scary movies

"It's the ultimate Nektar feelgood track, because everyone – onstage and in the crowd – loves it so much”: the late Roye Albrighton’s six favourite songs to play
By Malcolm Dome published
Live performance was an essential part of enjoying his own band’s work

"We have one rule: you can have body punches and choke-holds and throw bottles at each other, but we never crack each other in the face": What happens when bands fight
By Henry Yates, Jerry Ewing, Malcolm Dome, Geoff Barton, Fraser Lewry published
The 40 bitterest bust-ups in rock history: From fisticuffs to wars of words to litigation and beyond, rock'n'roll’s divorce courts are packed with ire and animosity:

“A chance to work with him would be incredible. But in a way I do… he always raises the bar a bit higher”: Why Peter Gabriel is Kip Winger’s prog hero
By Malcolm Dome published
Pin-up turned classical composer deeply inspired by a catalogue that shows “the difference between musicians who are entertainers versus musicians who are true artists”

"It remains a touchstone of art-rock genius, a true masterpiece": Why you should definitely own The Modern Dance by Pere Ubu
By Malcolm Dome published
Pere Ubu's 1978 esoteric art rock masterpiece The Modern Dance cleared the ground for much of the more adventurous music that's been recorded since

“The most wonderful ideas can come from people you might call amateurs… they haven’t been playing long enough to get bogged down in the rules”: King Crimson ex David Cross loves jamming with students
By Malcolm Dome published
Violinist and keyboardist finds great joy in his work as a university lecturer

“Take the album out of the Kiss context, and you have a remarkably coherent work”: Why Music From The Elder is a prog metal masterpiece
By Malcolm Dome published
Disregarded and overlooked, the band’s 1981 release is a brave and satisfying entry into a different genre

“Natural ability counts for nothing… One of the problems progressive music has had is it never encouraged everyone to have a try”: Peter Gabriel’s guide to success
By Malcolm Dome published
He doesn’t believe in luck, elitism or standing still, but he does believe anyone can do what he does

"Christmas is overlaid onto the winter solstice, and that nods towards our pagan past.” Why Christmas is prog's favourite time of the year...
By Malcolm Dome published
Christmas is coming, the goose is getting fat… And out roll the usual suspects trying to crack the festive Top 40. Still, it isn’t all about Slade, The Snowman and Sir Cliff. Prog rockers seem to enjoy Christmas more than most...
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