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Crippling sludge with a hardcore heart, False Gods’ four hymns to the void tap into Integrity’s nihilistic power source, but with a dash of Skullflower-esque noise terrorism thrown in.

Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair. He is politically homeless and has an excellent beard.

False Gods - Reports From Oblivion album review

Small Mercies - New Blood