
Dom Lawson
Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair.
From 2014-2016, Dom worked as Editor-At-Large at Metal Hammer, overseeing the front section of the magazine and helping to mould the some of the features that ran in print every month. Outside of his writing duties, Dom has been a longtime radio host for Total Rock, where he currently hosts The Dompilation Tapes, a show dedicated to excellent music from pretty much each and every genre you can think of.
Dom is politically homeless and has an excellent beard
Latest articles by Dom Lawson

The “really evil” bandleader who was more challenging than Peter Gabriel and Robert Fripp
By Dom Lawson published
Despite a huge range of experience, bassist easily identifies the person he found most difficult to work with

The story of Machine Head’s Burn My Eyes, the game-changing album that revitalised 90s metal
By Dom Lawson published
Machine Head’s Robb Flynn looks back on the making of his band’s classic debut

How a deteriorating DevilDriver made Clouds Over California
By Dom Lawson published
Even as Dez Fafara’s melodeath riff-slingers were falling apart, they masterminded one of their era’s most enduring singles

The pioneering European metal queen loved by Dio, Lemmy and Gene Simmons
By Dom Lawson published
The life and times of Doro Pesch

If you can’t connect Sunn O))) with King Crimson, Mahavishnu Orchestra and Miles Davis, let them explain
By Dom Lawson published
If you can’t connect the drone metal heroes with King Crimson, Mahavishnu Orchestra and Miles Davis, allow co-founder Greg Anderson to explain

“I saw Frank Zappa sit in with Pink Floyd. He was terrible”: Swans’ Michael Gira
By Dom Lawson published
The lifelong experimental rocker believes only the first three Mothers Of Invention albums are worth listening to, because after that Zappa succumbed to “unfortunate prog tendencies”

Mikael Åkerfleldt still doesn’t know what Storm Corrosion is about, and won’t ask Steven Wilson
By Dom Lawson published
When the Porcupine Tree and Opeth leaders got together in 2012, they were prepared to defy fans. And Åkerfleldt only wanted one thing out of the collaboration: a copy of their record

How Mikael Åkerfeldt fell in love with prog, even though his friends hated what he was doing
By Dom Lawson published
Making up for childhood poverty, the Opeth mastermind championed classic bands of the 70s when no one else cared – which made him a strange figure on the 90s Swedish metal scene

It took nearly 50 years for Happy The Man to hear their music the way they’d intended
By Dom Lawson published
Tripped up by record company machinations, the American pioneers – who nearly became Peter Gabriel’s backing band – didn’t think their first two records would ever sound like they had in the studio

Peter Gabriel wanted to hire them. They preferred their own music
By Dom Lawson published
The ex-Genesis singer wanted them to be his backing band exclusively, leaving them to choose between his ambitions or their own

The turbulent story of Anvil, the band who claim to have brought heavy metal to North America
By Dom Lawson published
Anvil should have been huge, but fate had other plans

"We were like, ‘What if we take speed? Maybe we can play even faster!’ We were definitely better without the drugs." How Europe's biggest thrash band went from getting their mum to sign deals to satanic metal mastery
By Dom Lawson published
"When we heard Venom, all our songs became satanic."

Every Megadeth album ranked from worst to best
By Metal Hammer published
The metal icons have released their final album and are on their last-ever tour – here’s how they got here

The trailblazing German thrash queen who inspired a generation of female singers
By Dom Lawson published
Holy Moses’ Sabina Classen is one of metal’s great pioneers – but she rarely gets the credit she deserves

“If I find him haunting me, I’ll know I did something wrong”: How Cardiacs completed late leader Tim Smith’s album LSD
By Dom Lawson published
A brother who took over the band, a singer who struggled to keep the secret and a determination to do exactly what their late leader would have wanted led to the end of an 18-year journey

“Ghosts, rustling, scraping at the window… happening every full moon”: The creepy tale of Camel’s Moonmadness
By Dom Lawson published
Charged with matching The Snow Goose’s surprise success, Andy Latimer’s band wrote a record about themselves – disguising their vocals because they’d been told they couldn’t sing

Every solo album by Iron Maiden’s Bruce Dickinson ranked from worst to best
By Dom Lawson published
Even if you take The Beast out of the equation, Bruce Dickinson has had a magical career. Here are his seven albums in reverse-order of excellence.

“I could have ‘guitarist for Genesis and Yes’ on my CV”: Why Steve Hackett didn’t take up Chris Squire’s Yes offer
By Dom Lawson published
Hackett was in reflective mood when he released 2019 album At The Edge Of Light – which he described as not remotely progressive, explaining why that was a good thing

The 80s metal anthem that turned the band who wrote it into global superstars – and the X-rated title it nearly had
By Dom Lawson published
Things could have turned out very different if the drummer had his way

“I was 100 per cent sure I was going to die”: Leprous’ Einar Solberg faced his teenage demons on solo debut 16
By Dom Lawson published
Abandoning attempts to dial down his own drama, he delivered a moving and multifaceted collection of collaborations in 2023. He immediately wanted to do it again

"We went to his place, had a jam, and then he asked if I’d ever played with a Ouija board."
By Dom Lawson published
Recording outside Germany for the first time, Warlock's swansong would also launch an international metal icon

This is the end, but Megadeth are leaving us with an absolute killer of a final album
By Dom Lawson published
Megadeth will be missed, but what a final record to leave us with

Every year the most unlikely prog supergroup spend three days shaping weirdo music. It works.
By Dom Lawson published
The trio have refined their approach to a project they only started for fun, admitting it’s exploded beyond any of their expectations and changed they way they look at their more usual activities
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