Dropkick Murphys' Al Barr: The First Record I Ever Bought

Al Barr onstage yelling at the camera
Rebel yell: Dropkick Murphys' Al Barr (Image credit: Getty)

As lead singer for American Celtic punks Dropkick Murphys, Al Barr has been responsible for some of the most rock’n’roll St Patrick’s Day parties of all time. But the band have strongly held political views too, so it’s hardly surprising that the young Al was bowled over by The Clash and their ilk. Here he looks back on the first record he ever truly loved…

The first record that I bought with my own money was actually Burning Love by Elvis Presley when I was in the fourth grade. That didn’t change my life or anything like that, but I knew that I loved singers and Elvis Presley is of course an amazing singer. I grew up listening to a lot of The Beatles as well. But the first album that really impacted my life was the first album by The Clash [The Clash, 1977]. I bought that record when I was 15 years old and it changed everything for me – it defined me and set me on my course. If it wasn’t for Joe Strummer and The Clash then I don’t think Al Barr would be where Al Barr is today. I firmly believe that.

Before I even discovered punk I knew that I didn’t fit in. I knew it all along. So when I discovered The Clash it just made sense. I was hanging out with friends in the seventh and eighth grade that were listening to Pink Floyd, Jimi Hendrix and The Rolling Stones, and that’s all great music too, but here came this new sound and everyone was like, “Urgh!” It was like a dog whistle to them but it didn’t affect me that way. I was young and angry and they were channelling that. It really spoke to me.

Soon after getting that Clash album I discovered the Ramones and Stiff Little Fingers – it was all probably within the same month. That started me on my journey, and then I met older kids in the scene that were into hardcore and they introduced me to the Bad Brains. Pay to Cum was probably the first hardcore song that I ever heard. I’d never heard anybody sing that quickly before, and the best part about it is I could play it in the car with my dad because he didn’t understand a word of it.

Around this time you also had the incident at The Who concert in Ohio where all of those people got crushed, and as a result of that I was forbidden to go to any concerts. My friends were going to see bands like The Kinks and The J. Geils Band and I couldn’t go see any of them, but then I got into punk and that’s where I ruled: there were these things called all ages shows and my parents would say, “You go ahead to your little all ages show. Have a nice time, son.” I’d have to hide all the bruises when I came home.

It was an amazing time and I got to see some amazing bands. I guess I happened to be at the right place at the right time, and in the right era. But if I hadn’t heard The Clash and discovered punk music then that might have interfered with the whole journey that I ended up on, because here I am today.

Dropkick Muphys’ new album 11 Short Stories Of Pain And Glory is released on January 6 via Born & Bred Records.

The Debut Albums Quiz: how well do you know these legendary career starters?

Matt Stocks

DJ, presenter, writer, photographer and podcaster Matt Stocks was a presenter on Kerrang! Radio before a year’s stint on the breakfast show at Team Rock Radio, where he also hosted a punk show and a talk show called Soundtrack Apocalypse. He then moved over to television, presenting on the Sony-owned UK channel Scuzz TV for three years, whilst writing regular features and reviews for Metal Hammer and Classic Rock magazine. He also wrote, produced and directed a feature-length documentary on Australian hard rock band Airbourne called It’s All For Rock ‘N’ Roll, and in 2017 launched his own podcast: Life in the Stocks. His first book, also called Life In The Stocks, was published in 2020. A second volume was published in April 2022.