Latest articles by Hugh Fielder
The creators and advocates of LSD were an integral influence on the genre of psychedelia, but its history is bound up in espionage and government spooks as much as fun-lovin’ hippies
Out now: Joe Bonamassa's Royal Tea: Live From The Ryman proves Royal Tea was a good album, even without a real-life audience
Out now: Wolfgang Van Halen strides out as a one-man band on first album Mammoth WVH
Gary Moore's How Blue Can You Get is patchy proof that blue is still very much the colour
Former Saigon Kick guitarist Jason Bieler joins the Baron Von Bielski Orchestra to provide food for future thought on Songs For The Apocalypse
Led Zeppelin did business like no one before, especially when it came to dealing with their record company. Former Atlantic Records Vice-President Phil Carson explains all
A look back at the short but stellar career of rock's first supergroup, Cream
Thanks to the latest digital audio technology, Jimi Hendrix's Live In Maui finally surfaces in full
You can't fault Orianthi's style on fourth solo album O, but the songs fall short
Joe Bonamassa's Royal Tea is meaty, beaty, big and bouncy
Digging Deep: Subterranea is a journey through Robert Plant's solo recordings, from Pictures at Eleven in onwards
Walter Trout ponders the state of the world on his Ordinary Madness album
The sons of Gregg Allman, Dickey Betts and Berry Oakley jam on Allman Betts Band's second album Bless Your Heart
Ground control to Major Rick, as Rick Wakeman launches himself towards The Red Planet
Asylums build up a head of steam for third album Genetic Cabaret with producer Steve Albini
Live Aid in 1985 was perhaps the greatest rock festival of all, and Status Quo were there to open it
Folk’s music’s not all “hey nonny nonny” y’know. In the 70s, it sneaked its way into the heaviest of rock's repertoire. We look at the groups that spearheaded the genre
The meaning of prog, from Big Big Train drummer Nick D’Virgilio
Frank Zappa’s celebrated 1970 Mothers lineup commemorated with unreleased 70-song collection of studio and live recordings
Owning up and owning it on Asking Alexandria's sixth album Like A House On Fire
Bassist Tim Bogert and drummer Carmine Appice, one of rock’s mightiest rhythm sections, talk about their days in Vanilla Fudge
Four Cream concerts brought back to life, warts ‘n’ all, from 1968's Goodbye Tour
Half a dozen albums that find Glenn Hughes between a rock and a soulful place
