Live: Touchstone In London

Kim Seviour's final gig with Touchstone, supported by Lonely Robot.

Why you can trust Louder Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

The substantial audience here tonight exude anticipation and sadness, with Touchstone playing the first of two farewell shows marking the departure of singer Kim ‘Elkie’ Seviour and, as recently announced, that of keyboard player Rob Cottingham also.

(Image credit: Will Ireland)

You couldn’t fault John Mitchell’s stripped down acoustic warm-up set, airing tracks from his Lonely Robot album and some well-received covers.

Suffering a serious throat infection, it was doubtful whether Seviour would be able to sing at all, and both send-off gigs were almost pulled. However, the show goes on courtesy of a rather special guest. So it is that Seviour is joined on stage by the redoubtable Heather Findlay, and between them they are visions of smiling, animated, sparkling black and crimson.

(Image credit: Will Ireland)

An intro segues into the double header of Discordant Dreams and The Beggar’s Song – rumbling Moo bass and keyboards being standout elements of this opening gambit. Findlay has had barely 12 hours to prepare, yet seems relaxed, tambourine in hand, helping out mainly with higher notes and choruses.

Set-wise, protecting Seviour’s voice and paying respects to their rock/prog/pop/folk/metal back-catalogue must have been problematic. A couple of slower, sparser moments are provided by Spirit Of The Age, Seviour accompanying its climax with full-on metal horns, and Contact (“A song about romance”). There’s also the early pre-Seviour ditty The Mad Hatter’s Song (“This was one of the songs I auditioned with”), with Rob Cottingham on lead vocals, as Seviour digs deep to hit some rather impressive notes towards the end. A plea to an obliging audience to help her out, and the band roll out one of their big hits, the guitar and drum propelled hard-edged prog-pop singalong of Strange Days.

(Image credit: Will Ireland)

Jeremy Irons’ (sadly not here in person) stentorian tones herald the encores, and presage the epic Wintercoast, with a guitar-tastic solo from Adam Hodgson. Seviour admits how sad she feels and thanks “everyone for everything”. The approaching final hurrah, and a return to the stage of John Mitchell prompt an upsurge in energy. There can only be one closing track, as Mad World is given the Touchstone treatment with Mitchell, Hodgson and Cottingham all taking solos.

This wasn’t a note or sound perfect set, with a puzzlingly low mix on Findlay’s voice at times, but it’s immaterial for the Touchstone faithful here, who got one (almost) last chance to celebrate a beloved band’s nine years of music making. The band takes a bow, and some leave teary eyed, wondering what the future holds for all of tonight’s participants.

Gary Mackenzie

Gary has contributed reviews and news features for Prog Magazine for over a decade now. A fan of prog and heavy rock since childhood, his main areas of interest are classic and symphonic prog, prog-metal and modern acts bringing in fresh influences to the genre. He has a professional background in youth and community work, he teaches drum kit in schools and is a working musician. Gary was the drummer in semi-legendary NWOBHM band Praying Mantis for a couple of years and has been a member of indie-prog-pop-art-rock combo The Mighty Handful for more than twenty years. He loves cats and skiing, and has a Blue Peter badge.