Metal was too white until nu metal came along, says Linkin Park’s Mike Shinoda
Linkin Park’s Mike Shinoda recalls how nu metal changed the rock landscape in exclusive Metal Hammer interview
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
Linkin Park’s debut album, Hybrid Theory, turns 20 on October 24, and in recent weeks the Los Angeles band have been looking back at the creation of the album and sharing their memories of the time. In a new, exclusive interview with Metal Hammer, to be published in full online later this week, Mike Shinoda reflects back on a hugely significant year in his band’s career, and he recalls how the blend of musical genres on Hybrid Theory, and in the nu metal scene as a whole, helped diversify metal’s appeal beyond its core audience.
“At the time,” Shinoda says, “if you asked somebody what they were listening to they’d say... ‘Rock. I listen to hip hop. I listen to jazz.’ It wasn’t until five years later they’d say, ‘Everything’. Hybrid Theory did some of that work. It was part of the progression towards breaking down boundaries between styles of music.”
“I listened to 90% rap music,” he notes, “then I’d look at a lot of rock bands and I’d be like, ‘There’s something too white’ [about it]. That was one of the things that turned me off, especially hair metal. Hair metal felt like very white music and I was growing up in a very diverse city so I didn’t gravitate to it. That didn’t resonate with me. And it wasn’t just about race. I don’t mean the colour of skin. I just mean the culture of it. When nu metal started at the very beginning, it was a very diverse place.”
“There was a moment when that term, nu metal, and what it meant, was actually pretty cool. It’s almost impossible to imagine! I remember when Korn first came out and when Deftones’ first couple of albums came out, and whatever you think about a group like Limp Bizkit, their first album was really raw. There were all these groups like Snot and Hed PE, and it wasn’t smart music, but there was something really visceral and culture blending that was important.”
For more of Mike Shinoda’s thoughts on Hybrid Theory and its impact, check back with Metal Hammer ahead of the album’s 20th birthday.
Linkin Park released a Super Deluxe box set edition of Hybrid Theory on October 9 via Warners. The box featured five CDs containing the original album, the Reanimation remix album, B-Side Rarities containing 12 tracks from the album era, LPU Rarities with 18 tracks that were only previously available through the Linkin Park Underground fan club, and Forgotten Demos, featuring 12 previously unreleased tracks.
Sign up below to get the latest from Metal Hammer, plus exclusive special offers, direct to your inbox!
Founded in 1983, Metal Hammer is the global home of all things heavy. We have breaking news, exclusive interviews with the biggest bands and names in metal, rock, hardcore, grunge and beyond, expert reviews of the lastest releases and unrivalled insider access to metal's most exciting new scenes and movements. No matter what you're into – be it heavy metal, punk, hardcore, grunge, alternative, goth, industrial, djent or the stuff so bizarre it defies classification – you'll find it all here, backed by the best writers in our game.

