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Introducing Prog Limelight band murmurmur...

Murmurmur

Murmurmur

Line-up: William Fletcher (vocals/guitar), Alex Crosara (guitar), Fintan Bradley (synths), Jack Davies (bass/vocals), Luke Haaja (drums)

Sounds like: colourful, sun-scorched guitar psych, companions to Pond and Temples

Current release: murmurmur EP is out now via Inertia Music

Website: www.facebook.com/murmurmurband/

To help further the cause of up and coming new progressive music, each week we'll be bringing you one of the current issue's Limelight acts, complete with music to listen to. Remember, today's progressive music comes in all manner of guises, and it's important to support the grass roots of prog... 

This lot have caught our ear very early on. A five-piece, in their 20s, with just one EP under their belt, unsigned and from Australia. So what’s their name? Murmurmur? Eh? Say that again?

“It’s a play on the word ‘murmur’,” says frontman, guitarist and songwriter Will Fletcher on a very early morning call from his home in Melbourne. “I’d been doodling and had the word ‘murmur’ over and over on the top of a page so I took a section from that.

“Naming a band is a nightmare,” he continues, “once I saw that I knew I had it.”  

Things could have been a lot different. Fletcher grew up a heavy metal fan, inspired by Metallica, Judas Priest and Iron Maiden (you can see the NWOBHM/Kirk Hammett fringe in his haircut, to be frank) and liked the impact those names had. “They’re outlandish, eye-catching and creative,” he says. “People are drawn to that, it’s interesting.”

Words mean a lot to the 27-year-old. As chief songwriter for the one-year-old band, he’s already putting personal experience into the four songs that feature on their new, self-titled EP. The sound you hear is colourful, complex psychedelia that veers from shoegazey haze (Little Boy) to bright, Beatlesy love songs, drenched in electronica (Marmalade).

“[Lead track] Cable Car is about the music business,” he explains. “It’s about depression and struggle as a musician… yeah, I’ve been there.  

“The music business is hard,” he elaborates, revealing how the band all met through music study in Melbourne and as session players for other outfits. “We’ve all been playing nationally and internationally for a while, we know the industry pretty well.”

With only five gigs to their name and while they find their feet, Fletcher has a day job (“in a really awful gourmet fancy supermarket for rich people”), also playing with local alt-pop trio City Calm Down when they tour. The band have a penchant for vintage analogue equipment – “high end amplification and guitars!” – so it’s fortunate their rehearsal space costs absolutely zip, rehearsing in a bungalow in Fletcher’s back garden.  

And the band’s current influences? “I’ve been into prog for a while,” Fletcher says. “The musicianship is unbelievable. I’m a huge Radiohead fan and I love King Crimson. At the moment I’m listening to lots of Camel and Yes.

“Prog’s a huge influence on us,” he continues, “It’s very exciting and theatrical, which is great.”

With other Aussie bands such as Tame Impala opening doors for the continent’s superb brand of sun-scorched psych, why does psychedelia still appeal?

“It’s fun,” says Fletcher. “It’s upbeat, energetic and great to watch bands like King Gizzard play. It’s what the world needs right now.”

By the time this reaches the newsstands, mumurmur will recorded another four songs and be looking to get playing beyond Oz. “We want nothing more than to tour, and get out of Australia.  

“It’s not for the money, although that would be nice,” Fletcher laughs. “I’m doing this because I need to make music. I love it. I can’t not do it.”  

Jo is a journalist, podcaster, event host and music industry lecturer with 23 years in music magazines since joining Kerrang! as office manager in 1999. But before that Jo had 10 years as a London-based gig promoter and DJ, also working in various vintage record shops and for the UK arm of the Sub Pop label as a warehouse and press assistant. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!), asked Suzi Quatro what one wears under a leather catsuit, and invented several ridiculous editorial ideas such as the regular celebrity cooking column for Prog, Supper's Ready. After being Deputy Editor for Prog for five years and Managing Editor of Classic Rock for three, Jo is now Associate Editor of Prog, where she's been since its inception in 2009, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London, hoping to inspire the next gen of rock, metal, prog and indie creators and appreciators.