“The producer is looking at me across the room, eyebrow askew. Finally he says, ‘I don’t think so’”: The story of how Dream Theater’s Jordan Rudess didn’t play on Pink Floyd’s The Wall
Keyboard maestro admits he gave a “very poor” performance during 1979 session, and Bob Ezrin was right to kick him out
In 2016 Dream Theater’s Jordan Rudess told Prog how close he’d come to appearing on Pink Floyd’s classic 1979 album The Wall – and why it didn’t happen.
“Many years ago I had a friend by the slightly unusual name of Bleu Ocean. He was a very good drummer; I believe he had been one of the studio drummers for The Monkees, playing with them behind the scenes.
Anyway, Bleu got the job of assembling a marching band that would appear on the Pink Floyd song Bring The Boys Back Home. I was hanging out at his place one day and he said, ‘Come on man – come to the studio and watch the recording of the track. You could even be a part of it!’
Well, I wasn’t a drummer – by that point I’d have been around 18 years old and I’d long since decided that keyboards would be my life – but I’d played some very basic snare drum when I was in third grade.
So I went with him to the session. I walked in and someone gave me a drum and some sticks. I’m playing along, and having a really good time. But as I’m doing so I become aware that Bob Ezrin, the producer, is looking at me across the room, eyebrow slightly askew. Finally he says: ‘I don’t think so.’
After he’d picked me out I went and sat in the control room; and long before anyone else we got to hear a playback of that track – though of course we had no idea of what it meant or where it would fit in the overall puzzle of Pink Floyd’s album.
I was fine with Bob’s decision. I was a very poor drummer. But there’s a part of me that still wishes I’d been able to appear on The Wall. That would’ve been very cool indeed!”
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Dave Ling was a co-founder of Classic Rock magazine. His words have appeared in a variety of music publications, including RAW, Kerrang!, Metal Hammer, Prog, Rock Candy, Fireworks and Sounds. Dave’s life was shaped in 1974 through the purchase of a copy of Sweet’s album ‘Sweet Fanny Adams’, along with early gig experiences from Status Quo, Rush, Iron Maiden, AC/DC, Yes and Queen. As a lifelong season ticket holder of Crystal Palace FC, he is completely incapable of uttering the word ‘Br***ton’.
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