You can trust Louder
A genuine step forward for death metal’s super-modern wing, Apophys’s 2015 debut, Prime Incursion, was a precocious and thrilling affair. From the opening seconds of Children Of The Stars onwards, it’s clear that its follow-up is an even more compelling statement of progressive intent. This is futuristic death metal with big ideas and furious focus. Songs like Matters Unresolved and Deadlock somehow crowbar authentic swing into the expected melee of ultra-precise riffing and rib-shattering kicks, with Sepultura-style lurching grooves and an underlying sense of otherworldly disquiet straight from the Gojira handbook thrown in for generous measure. Not that Apophys are seeking to shrug off death metal’s core trappings here: from The Verdict’s angular blizzard of blasts to What We Will Be’s glacial grind, this is every inch the masterclass in virtuoso ingenuity that the Dutchmen’s early material hinted at.
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Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair. He is politically homeless and has an excellent beard.
