“Astonishing and formidable music”: there’s more to British jazz rock than Soft Machine, Brand X, Bruford and Nucleus
Here are six underrated and overlooked albums from the 1970s that will reward investigation
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
The 1970s was a golden age for British jazz rock. Soft Machine and Nucleus were among the bands leading the way, and Brand X and Bruford enjoyed high profiles. But there’s much more to discover from the period, and in 2017 Prog presented six of the best jazz rock groups who were overlooked and underrated.
Back Door - Back Door (1972)
Propelled by Colin Hodgkinson’s ferocious bass and Tony Hicks’ powerhouse drumming, Ron Aspery’s rasping sax skips across a volatile concoction of bluesy bebop rock with lightning-fast licks. Their debut still sounds astonishing. They supported ELP in 1973 and 1974, and their track Slivadiv was sampled by the Beastie Boys on 1992 number Stand Together.
Isotope - Illusion (1974)
One of the few British guitarists capable of matching John McLaughlin’s speed and passion, Gary Boyle’s joyous playing is all over a set of surging tunes stoked by ex-Soft Machine man Hugh Hopper’s trademark fuzz bass. An astonishing and formidable fusion outfit.
Zzebra - Panic (1975)
Formed by members of IF and Osibisa, the Jeff Beck-admired band fuse riotous Afro‑centric brass riffs with supple Fender Rhodes-heavy tunes. Occasional soulful vocals, short guitar jabs and catchy rock riffs underpinned by future Gillan bassist John McCoy add up to a dramatic and exciting soundworld.
John Stevens’ Away - Somewhere In Between (1976)
A pioneer of the UK’s mid-60s free jazz scene, drummer John Stevens’ rock-orientated band boasted both electric and acoustic bass. Steve Hillage was a fan and had them as the support act for his L tour.
Turning Point - Creatures Of The Night (1977)
Flowing with clean, airy melodies written by bassist Jeff Clyne or keyboardist Brian Miller, Pepi Lemer’s wordless vocals and David Tidball’s soaring soprano sax inhabit an early Return To Forever atmosphere.
Barbara Thompson - Paraphernalia (1978)
Thompson’s lyrical sax and flute do all the melodic heavy lifting in a band featuring ex-Soft Machine bassist Roy Babbington. Contrasting visceral solos throughout her intricate compositions, Thompson flies closer to jazz than rock but still lands plenty of killer punches.
Sign up below to get the latest from Prog, plus exclusive special offers, direct to your inbox!
Prog magazine is proud to be at the forefront of the modern-day progressive music revival, continuing to celebrate one of the most invigorating and inventive forms of rock music of the last 50 years. It offers in-depth and behind-the-scenes stories of classic albums and tours alongside widespread coverage of what‘s happening at today’s cutting edge of progressive music.
You must confirm your public display name before commenting
Please logout and then login again, you will then be prompted to enter your display name.

