Prog Features
Latest Features on Prog

Mikael Åkerfleldt still doesn’t know what Storm Corrosion is about, and won’t ask Steven Wilson
By Dom Lawson published
When the Porcupine Tree and Opeth leaders got together in 2012, they were prepared to defy fans. And Åkerfleldt only wanted one thing out of the collaboration: a copy of their record

“They each rented castles within sight and waged magic war on one another”: A real-life prog version of The Two Towers
By Tommy Udo published
Did band leader Christian Vander really manifest serious chest wounds upon his bandmate? Does he really believe we must leave Earth to survive? Does he mind other bands joining the genre he created?

“He cannot do that – it’s criminal!”: Orchestral players were horrified by Keith Emerson
By Johnny Sharp published
Terje Mikkelsen was once told to avoid the ELP icon’s material. He ignored that advice, and went on to collaborate with Emerson himself

“I used Steven Wilson’s Mellotron in exchange for me guesting at his show!” Soft Machine’s efforts to make Thirteen
By Sid Smith published
Theo Travis on tempting fate, revisiting a tradition, being the best-tempered line-up since the beginning in 1966, and adding a posthumous appearance by co-founder Daevid Allen

Rick Wakeman’s sales award for Journey To The Centre Of The Earth came with a warning
By Chris Roberts published
The keyboard wizard recalls accepting a presentation disc from the suit who’d made his 1974 project difficult – and the advice from David Bowie that had kept him fighting for it

Radiohead’s Philip Selway put his solo ambitions on hold for 20 years to focus on the band. Does he regret it?
By Rob Hughes published
The drummer decided to focus on his “day job” band in 1991, and finally released his first solo album in 2010 – after finding influence in King Crimson, Pink Floyd, Can and other prog giants

Pop icon’s label wanted a pop solo album. He gave them a prog record. They suppressed it for three years
By Sid Smith published
Maybe the fact that King Crimson’s Robert Fripp had been hired to produce and play on the 1977 project was enough to scare the suits

The global hit inspired by LEGO and Simon & Garfunkel that soundtracked a Martian invasion
By Alex Burrows published
A decade in the making, the classic ballad featuring Moody Blues singer Justin Hayward was a standout on Jeff Wayne’s epic prog sci-fi album The War Of The Worlds

Colin Blunstone on The Zombies and looking after his "just plain sexy" voice
By Dave Ling published
It’s that time of the season - Zombies singer Colin Blunstone is touring the UK this month

The roots of the “barbarians with electronics” accused of stealing Paul McCartney’s bass
By Joe Banks published
Dave Brock’s band didn’t steal the Beatle’s instrument – but in their early days they were involved in a wide range of nefarious incidents some distance from the world of “peace and love”

Why you shouldn’t ask Tony Banks about Genesis’ live album Seconds Out
By Chris Roberts published
Why did he miss out an entire piano solo? Why did Steve Hackett leave during mixing sessions? Did the band sound better on stage than in the studio? Did early fans stop liking them because they became popular? The keyboard master speaks out

“Time is short. I have things I need to make before I die”: The darkness that led Ulver to Neverland
By Matt Mills published
Norwegian chameleon rejected the nation’s controversial black metal scene, then rejected his record label, and recently rejected synthpop. Now he’s rejected the tragedy of the band’s past – and partying too – to embrace freedom instead

Keith Emerson’s manager wanted to ditch plans for a flying piano. Emerson proved him wrong
By Dave Everley published
Backstage boss Stewart Young took one look at the prototype in 1974 and decided to walk away – but the keyboard maestro wouldn’t have it

What happened when Be-Bop Deluxe founder Bill Nelson formed an improv trio with Soft Machine and Gong members
By Sid Smith published
The prog polymath felt Orchestra Futura’s performances should be left as one-off experiences. But Theo Travis and Dave Sturt persuaded him to release Live At Nelsonica & Clothworkers Hall

Marillion’s Steve Hogarth started to write songs that made him cry. He can’t stop now
By Philip Wilding published
The singer names the track where he and his colleagues matched perfectly – even though it hurt to create it

“It’s 5 days since they released new music – was starting to think we’d never hear from them again”: King Gizzard And The Lizard Wizard’s 24 albums in 11 years? It’s like taking out the trash
By Julian Marszalek published
Stu Mackenzie, leader of the Australian sextet behind a total of 27 studio records to date, finds the fun in a massive back-catalogue, and lives by the advice his mother-in-law gave him

“I was just crap. I couldn’t pull it off”: It Bites ex Francis Dunnery on abandoning Asia after one show
By Dave Ling published
Robert Plant and Santana collaborator reveals complaints about his recent DVDs, the possibility of revisiting his 80s heyday, and why it was time to explore his difficult childhood on new album England’s Tales Of The Council House Kid

Great new proggy sounds you need to hear from Crown Lands, A.A. Williams, Devin Townsend, Tarja and more in Prog's brand new Tracks Of The Week
By Jerry Ewing published
Top new prog from VMBRA, Kristoffer Gildenlöw, Lost In Kyiv and more in all new Tracks Of The Week

“Even when I got pretty good fees, I lost money on everything. I was thinking so idealistically”: Leprous’ Einar Solberg releases Vox Occulta, with hard lessons learned from the past
By David West published
He wants to use a large band to tour his boredom-beating second album – and thinks he’s come up with a way to keep it in budget this time
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