Prog Features
Latest Features on Prog

Are the touching tales of Jethro Tull’s Minstrel In The Gallery really just fiction?
By James McNair published
Ian Anderson reflects on giving Roy Harper his movie break, aggressively defending Dee Palmer from paparazzi intrusion, losing bassist Jeffrey Hammond, planning to quit touring – and the quiet couple of weeks he spent recording Tull’s masterful 1975 album

Steve Hogarth and Richard Barbieri pushed each other hard on Not the Weapon But The Hand
By Natasha Scharf published
Marillion vocalist found himself singing over drum’n’bass music on 2012 release, while Porcupine Tree keyboardist had to allow lyrics in a piece he’d wanted to be instrumental – but the result of years of effort satisfied them both

How Godley and Creme quit 10cc and went to play with their Gizmo instead
By Phillip Wilding published
Kevin Godley on the machine they invented at the wrong time, an overheard conversation, the decision that ended the band, missing the punk explosion, discovering video – and being mistaken for the drummer in Paper Lace

Roy Harper tried to retire in 2013, but returned with Man & Myth instead
By Paul Sexton published
When a new generation of acclaimed musicians discovered the folk-rock veteran’s music he gave up his attempt to bow out, but made sure his most recent album to date remained typically non-commercial and challenging to understand

Paul Hardcastle admits he once used Hawkwind titles for his own songs
By Jo Kendall published
The multi-instrumentalist synth pop icon recalls trying and failing to play Silver Machine on a music store synth, years before he impressed Lemmy by asking about Orgone Accumulator

Vikram Shankar’s Five Favorite Instrumental Prog Albums
By Vikram Shankar published
The keyboard player with instrumental US prog rock trio Lux Terminus, who recently released second album, Cinder, picks his best of instrumental prog

When true rebels came out as prog fans: Five essential neo-prog albums of the 80s
By Johnny Sharp published
The second-wave movement didn’t last long – but its bands revitalised the genre with an attitude and energy that’s still being felt today

"If we’d kept things together and stopped arguing, we could have all been multi-millionaires!" The story of Hawkwind's most prog-friendly album, Warrior On The Edge Of Time
By Joe Banks, Julian Marszalek published
Bruised and battle-weary after a punishing live schedule, in 1975 Hawkwind weren’t in the best place ahead of recording their fifth studio LP. But what emerged was a stunning tour de force of science fantasy-inspired progressive space rock

It's back! Prog's brand new Tracks Of The Week!! Cool new proggy sounds from Katatonia, Nosound, Hedvig Mollestad Trio and more...
By Jerry Ewing published
Great new prog, from L.O.E., Gaupa, Hiroe, Gaupa and more in Prog's Tracks Of The Week...

How Ne Obliviscaris became the first band to successfully crowdfund a world tour
By Cheri Faulkner published
Committed to a unique musical approach they’d developed over a decade, they feared they’d spend their careers trapped in the underground. And they expected a backlash when they asked for fan support – but they needn’t have worried

“Robert Fripp always has an excuse not to play”: Toyah Willcox is more than Mrs King Crimson
By Rob Hughes published
From post-punk icon and award-winning female solo artist to becoming regarded as just the prog mastermind’s wife, her rebellious creative energy is fired by Roxy Music, Devo, The Tubes and all things off the wall

Tim Smith’s Cardiacs story will end with long-awaited final album LSD
By Rob Hughes published
Members of the band who influenced Steven WIlson, Radiohead, Opeth, Andy Partridge and more explain what they did and why it mattered

How Primus told of goblins and rainbows while trying not to mention goblins and rainbows
By Fraser Lewry published
2017’s The Desaturating Seven was Les Claypool’s bid to explore the darkness of a 1970s children’s story, harnessing the influences of King Crimson, Tool and Sean Lennon

“I’m proud of Rush but I’ve moved on”: Alex Lifeson loves bringing solos to Envy of None
By Julian Marszalek published
The dark prog-pop band’s second album Stygian Wavs is confirmation they’re a band in their own right, even if they quickly abandoned attempts to work together in the same room

How Silent Lucidity became Queensrÿche’s biggest hit (second time around)
By Malcolm Dome published
The lead track from 1990’s Empire explores an unusual subject – but its singer argues it proved to be the right song at the right moment

Lifesigns’ John Young on Kate Bush’s baking, Frank Zappa’s humour and Patrick Moraz’s romance
By Grant Moon published
Keyboardist on Kate Bush’s baking, Frank Zappa’s humour, Patrick Moraz’s romance, Eva Cassidy’s mystery – and buying his own band’s album from Amazon

Why Can’s Irmin Schmidt calls Soon Over Babaluma “the last of our best albums”
By Chris Wheatley published
50 years after the release of Soon Over Babaluma, the founding keyboardist reflects on what he calls “the last of our best albums”

“Fans were tetchy; then all fears were allayed”: 11 great Rush songs from the 90s and beyond
By Prog published
The cream of the Canadian trio Rush's later years

“I’d like to be part of blowing the whistle”: Roger Waters’ Is This The Life We Really Want?
By Marcel Anders published
2017 solo album saw him determined to look forward as he said escaping Pink Floyd was like “driving away from a dodgy wedding with cans dragging behind the car, rattling all the time”
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