Exclusive: Gaahl announces his new band and debut show
Black metal icon Gaahl to play his first show with Gaahls Wyrd at Norway's Blekkmetal fest
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Having played his last shows as God Seed last September, former Gorgoroth vocalist and all-round cult figure Gaahl is to announce his new band, Gaahls Wyrd, and their debut show at November’s Blekkmetal festival that takes place at the USF Verftet venue in Bergen, Norway on November 13-15.
A one-off, non-profit festival that’s both a tribute to True Norwegian Black Metal and a tattoo convention featuring 19 world-class and metal-steeped inkers, Blekkmetal is the brainchild of one of the most respected artists in the extreme metal world, Jannicke Wiese-Hansen, whose work has graced Burzum’s best known album sleeves, Satyricon’s first album and created the logos for both Immortal and Enslaved.
Although the band’s lineup is being kept under wraps for now, Gaahls Wyrd joins a bill that already includes Enslaved, Taake, Aeternus, Helheim, Kampfar, Hades Almighty and Gehenna. Although the band are working on new tracks, their debut show will be in keeping with the theme of the festival.
“This festival is a tribute to the old days,” says Gaahl, “so therefore the focus will be on tracks that are from the past. I will bring along some Trelldom songs that have never been played before in a live setting, and I will bring in some Gorgoroth elements, but most likely I don’t think the setting for new songs is the correct one.”
Was the festival’s focus on the roots of Norwegian black metal one of the main reasons for making this the band’s live debut?
“Yes, absolutely,” he affirms. “I had been asked if I wanted to perform with Trelldom, and I said that Trelldom was not supposed to be played live, even though the music would be excellent live, I think. Basically it was done live in the studio, but not everything needs to be presented in a public universe. But I told them, I have another idea that, if you’re interested, I can maybe get this to work. I didn’t have to think too much about it because of the one asking, and good people need rewards, heheh! It was fairly easy to say yes, and then the opportunity to reveal the band as well was a bonus for both parties.
“I’m very pleased with what me and Tom have done together,” Gaahl says of God Seed, “we’ve created a lot of good songs, but I think the difference between us is probably the reason why I’ve started this new band. I’ve made a lot of my favourite songs that I’ve created in God Seed and I’ve brought with me one of these characters from that band.”
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Gaahl has had a love-hate relationship with playing live in the past, and he’s no longer a part of the live setup of Wardruna. Can he see Gaahls Wyrd rekindling his desire to play live?
“When I go onstage, I love to be in a state where I quiver,” he explains. If you don’t quiver then there is something with the honesty that I felt was lacking, and that is also the reason why I want to start this new band. So I hope to be back in that state of mind with this. By all means I really enjoyed the God Seed universe, but it became too safe and too repetitive. I noticed that I’d lost my own connection to myself onstage. I became too experimental in the sense of boredom. That’s my personal feeling about it. When you go onstage and try to entertain yourself as well as the audience, I don’t know if that’s the right approach. I brought with me people that I really love playing with. When you go onstage with these characters you know they are where they’re supposed to be. You can go onstage and suddenly decide, ‛We will play this song differently now’, the way we trust each other both musically and personally. That’s what I wanted, I want it to become more alive than just to be a repetitive pattern.”
For latest announcements from Blekkmetal, tickets, and the full program, including the full list of tattoo artists, film screenings and discussions, check out the festival Facebook page here, and the official website here!
Having freelanced regularly for the Melody Maker and Kerrang!, and edited the extreme metal monthly, Terrorizer, for seven years, Jonathan is now the overseer of all the album and live reviews in Metal Hammer. Bemoans his obsolete superpower of being invisible to Routemaster bus conductors, finds men without sideburns slightly circumspect, and thinks songs that aren’t about Satan, swords or witches are a bit silly.

