Cellar Darling, The New Death Cult and Maraton added to Prognosis bill
Eindhoven's modern prog festival also announces day splits, clinics and talks
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Swiss prog rockers Cellar Darling have been announced for this year's Prognosis Festival. They've been added to the bill alongside Norwegian heavy proggers The New Death Cult and fellow Norwegian proggers Maraton for this year's event.
"Today we can announce the last bands for our music festival," the organisers tell Prog. "We welcome not one, not two but three new bands to Prognosis 2020. Cellar Darling, Maraton and The New Death Cult will all play on Saturday March 21."
The day splits for bands is as follows:
Friday March 20
Katatonia
Enslaved
White Stones
Don Airey (playing Colosseum II)
Sermon
The Fierce And The Dead
Dilemma
Saturday March 21
Anathema (playing We're Here Because We're Here)
Sons Of Apollo
Focus
Long Distance Calling
Paul Masvidal
Bruce Soord
Maraton
Rendezvous Point
New Death Cult
Scarlet Stories
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There will also be a series of clinics over the two days from Don Airey, Frederik Akesson (Opeth), Roger Öjersson (Katatonia), Bruce Soord, Baard Kolstad (Leprous) Bumblefoot (Sons Of Apollo) and Paul Masvidal, and talks and discussions from the likes of Opeth managher Andy Farrow, producer Jamie Gomez Arellano, producer Jens Bogren, Prog Editor Jerry Ewing, artist Costin Chioreanu and more.
Prognosis will take place on March 21 and 22 at the Effenaar Venue in Eindhoven.
Tickets for the event cost ¢89 and are available from the event website.
Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

