Latest about No-Man
Steven Wilson and Tim Bowness once gave themselves an hour to write a No-Man song. Another time, they took 25 years
Their 2019 album Love You To Bits began to take form in 1994, inspired by movie soundtracks, disco epics and Pink Floyd melancholy – but spent a quarter-century in development hell
No-Man plot 2027 return, promising poignant ballads, twisted pop and electronic excursions to art rock's heart of darkness
No-Man last released an album back in 2019 with the upbeat electronica of Love You To Bits
“They’ve had a lesser impact due to their complexity”: No-Man’s Tim Bowness on Jethro Tull’s Ian Anderson
They collaborated on Bowness’ 2017 album Lost In The Ghost Light, but his appreciation for the rock flute icon goes back to Tull’s early trilogies
“I thought, ‘I’m getting the message’”: Richard Barbieri on the much-needed Porcupine Tree hiatus
Keyboardist admits he wasn’t such a nice person in the run-up to their 2010 hiatus, explains what changed when they released 2022’s Closure/Continuation, and hints at what might be next
The bloody-minded duo who dared to delete a Robert Fripp solo in front of him
Their groundbreaking 1994 album has stood the test of time – but their refusal to compromise with label and management made it look as if their time was up
“Do I think, ‘Why is Steven Wilson having hits and I’m not?’ No”: Tim Bowness’ Late Night Laments
With songs for the lost and the lonely, detailing trauma and loss – but hardly ever his own – Bowness’ intensely personal sixth album is another fine addition to his impressive body of work
How No-Man learned to confound their expectations without offending each other
Tim Bowness and Steven Wilson’s mutual respect and passion has kept their art-pop collaboration alive – despite the constant distractions of their other projects
“Robert Fripp played the solo and we didn’t like it. He said, ‘You’re wrong.’ Steven Wilson said, ‘This is how wrong we are,’ and deleted it”: How No-Man prospered by refusing to ever fit in
Housekeeping box set illustrates that when Tim Bowness and Wilson refused to compromise, it was a strength rather than a weakness – even if one of them couldn’t listen to their early work for 20 years
