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Steve Thorne: Crimes & Reasons

Known prog faces line up on Thorne’s arresting opus.

If you listen to the high-quality music here in a cursory manner, then you’ll get the impression of a genteel approach that is connected to It Bites and Magenta. However, if you leave the album after just one play and without taking note of the lyrics, then you are missing the purpose of this studied and unhurried endeavour by several parsecs.

The fourth album from Thorne actually has real depth and meaning on all fronts. Most of the instrumentation is played by him, but he does have significant help from bassist Tony Levin, drummers Nick D’Virgilio and Bob White, and guitarist Gary Chandler, with Martin Orford popping up on flute on a couple of tracks too. That’s a pedigree taking in King Crimson, Spock’s Beard, Jadis and IQ – with the performances easily living up to the reputations of those involved.

When you play Crimes & Reasons a few times, it starts to make a lot more sense. It has an underlying drive to complement the overt delicacy, and this gives everything a certain unexpected rigour that, on occasion, even borders on the aggressive. But when you consider the lyrical content, this is strictly in keeping with the mood. Although this is not a concept album, Thorne has elected to tackle modern issues head on.

It starts off with Already Dead, and deals with how a slavery to modern technology reduces people to no more than easily controlled zombies. The atmosphere here is forthright and vitriolic. This is continued on Bullets & Babies, which tackles the issue of kids being turned into soldiers for lost causes. The title track has little time for the vacuous pursuits of an uncaring society, and Everything Under The Sun looks mournfully at a life ebbing away in loneliness. Enhanced by Orford’s flute flourishes, Moth To A Flame continues the theme of the subjugation of the individual. It all ends with Modern Curse, which is about being part of a crowd for whom success is all about financial rewards, whatever the personal cost.

Thorne rarely offers glimpses of hope. But that’s not the point being made. What he’s trying to do is strip away the superficial artifice of society, and expose us all as the contradictory creatures we are prepared to be, in order to fit into a neat hole excavated for us by others – whatever the cost.

Crimes & Reasons is a triumph on all fronts. You can listen to it purely for the musical imagination employed, but by doing that you’d be missing a lot of the point.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.