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Rick Wakeman & Tony Ashton Present: GasTank DVD review

Great music. The rest was a work-in-progress.

Rick Wakeman & Tony Ashton Present: GasTank DVD artwork

In theory, GasTank was a fine idea for a TV series. Mock up a studio as a bar (well, didn’t all rockers drink heavily in those days?), get Rick Wakeman to interview some of the big rock names of the time while sitting in the bar, before he and collaborator Tony Ashton join their guests in a musical extravaganza. But in practice…

Some of this 1982 Channel 4 series works very well. However, other parts were misguided. To start with the negative aspects, the interviews done by Wakeman are stifled and stilted. It’s as if he’s intimidated by having to talk on camera to people he knew so well. Wakeman is clearly trying to avoid any controversial subjects, but in doing so these potentially fascinating chats can be reduced to being dull and no more than irritating interludes. It doesn’t help that the fag-smoke filled setting is about as convincing as 70s TV variety show, The Wheeltappers & Shunters Social Club. These days, Wakeman’s trademark irreverence and intelligence would ensure such interviews would be worth watching, but over 30 years ago, he was still finding his niche – of course some gems, such as Rick Parfitt, could never fail.

The real gold comes when the musicians get let loose. Wakeman and Ashton were both virtuosos and extremely versatile, which meant they could adapt to the style of any guests. As a result, some of the performances are stunning. Of special interest to prog fans will be the way Wakeman interacts with Steve Hackett. Their relationship is so natural and flowing that it’s a pity this wasn’t developed further. But equally as powerful in this situation are The Strawbs – Wakeman did have an advantage here of a long history with them – plus the way in which Godley & Creme, together with Andy Fairweather Low, take their chance. There’s also a brilliant track with jazz legend Ronnie Scott, which swells and grows mesmerically.

In this respect, GasTank offers a fine insight into the way in which top quality musicians of that era were prepared to put themselves into an unusual environment, challenging themselves to rise to the occasion. Without any exception, all of them proved equal to the task. Some, like Hackett, revelled in the opportunity and seemed fired by the idea of hurtling into what was effectively a musical maze. And when you listen to what these giants created, it was spellbinding, emphasising that Wakeman and Ashton were able to draw from these artists a freshness and hitherto hidden passion for all sorts of music.

Available on two-disc DVD and three-disc CD, GasTank’s strength is these one-off collaborations: the music.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.