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Arena: XX

Two crosses, one tick for the proggers’ 20th anniversary live release.

It’s understandable that Arena wanted to document a tour marking their 20th anniversary. Equally, it’s fair enough they decided to film a show.

And if you get the impression this is all building up to be negative about the result, then you’re right… but also wrong. What has been done on XX is fine. In essence, what you get is a more than creditable representation of the gig in Katowice, Poland last April. The camera work is impressive, the band’s song selection is highly satisfying and they perform with the expected expertise.

However, it has to said that they aren’t the most charismatic of bands. And therefore, while the technical side is faultless, nonetheless it’s all a bit… well, dull. The fact is that Arena are all about musical expression, and the image side of the band is irrelevant. But that makes for a slightly underwhelming DVD.

Annoyingly, they have a video screen at the back of the stage, which was clearly in regular use. But aside from showing us some rather striking footage of a gathering storm during The Unquiet Sky, we get no cutaways to what was going on behind the band. Using some of these visuals might have helped to break things up somewhat.

The technical side is faultless, but it’s all a bit… well, dull.

That said, there is also much to admire, not least the all‑important way in which that the band members interact musically. Songs such as Rapture, Traveller Beware and The Hanging Tree are sonically scintillating, and underline Arena’s undoubted ability. Paul Manzi is a consummate singer, while John Mitchell delivers an evocative array of guitar notations, playing off Clive Nolan’s keyboard swells.

Nolan also provides some amusement with his theatrical between-song banter. He was obviously using semaphore as a way of getting over the perceived language barrier with the Polish audience.

By way of bonus material, we have individual interviews with band co-founders Nolan and drummer Mick Pointer. The problem is, each of them looks rather bored, and as you can barely hear the questions (basic stuff, but someone should have made sure the off-camera interviewer had a microphone, or that the interviewee began his answer by repeating the question), you’re trying to work out what they’re talking about.

_XX _is far from a bad representation of Arena and doubtless there will be a lot of diehard fans who will want this. But for most people, it’s not going to be essential. The atmosphere inside the venue on the night was probably superb, but this doesn’t translate especially well onto the screen. Nice idea then, if not quite convincing.

Malcolm Dome

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica, published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio, which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.