Rush Song Of The Day: Red Barchetta
Goblin mainman Claudio Simonetti on :one of Rush's most representative pieces"
Select the newsletters you’d like to receive. Then, add your email to sign up.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Every Friday
Louder
Louder’s weekly newsletter is jam-packed with the team’s personal highlights from the last seven days, including features, breaking news, reviews and tons of juicy exclusives from the world of alternative music.
Every Friday
Classic Rock
The Classic Rock newsletter is an essential read for the discerning rock fan. Every week we bring you the news, reviews and the very best features and interviews from our extensive archive. Written by rock fans for rock fans.
Every Friday
Metal Hammer
For the last four decades Metal Hammer has been the world’s greatest metal magazine. Created by metalheads for metalheads, ‘Hammer takes you behind the scenes, closer to the action, and nearer to the bands that you love the most.
Every Friday
Prog
The Prog newsletter brings you the very best of Prog Magazine and our website, every Friday. We'll deliver you the very latest news from the Prog universe, informative features and archive material from Prog’s impressive vault.
Rush, who recently released the R40 box set, grace the cover of the latest issue of Prog and in that issue we called upon 40 famous Rush fans to reveal their favourite Rush songs.
Over the next few weeks we’ll be bringing you some of those choices. Claudio Simonetti, mainstay of pioneering Italian prog rock band Goblin, has chosen Red Barchetta, from 1981’s Moving Pictures album, a song he says where “they keyboards aren’t used to soften their sound.”
Credit: Film Magic/Getty
“I always listen to Rush with great pleasure. I always liked them because, in some way, I think they are very similar to Yes, one of my favourite bands. But they are a bit darker than Yes, as you can hear in songs like Red Barchetta (one of their most representative pieces) where you can hear a harder sound, thanks to the vigorous drums of Neil Peart, and keyboards aren’t used to soften their sound.
“I would compare Alex Lifeson to Andy Summers of The Police. Neither are great guitar virtuosos but they have certainly helped to create their respective bands’ unique sound.”
Sign up below to get the latest from Prog, plus exclusive special offers, direct to your inbox!
Writer and broadcaster Jerry Ewing is the Editor of Prog Magazine which he founded for Future Publishing in 2009. He grew up in Sydney and began his writing career in London for Metal Forces magazine in 1989. He has since written for Metal Hammer, Maxim, Vox, Stuff and Bizarre magazines, among others. He created and edited Classic Rock Magazine for Dennis Publishing in 1998 and is the author of a variety of books on both music and sport, including Wonderous Stories; A Journey Through The Landscape Of Progressive Rock.

