Rick Wakeman's Caped Crusades: When Charity Beings At Home...

NOW I LIKE to think of myself as a reasonable caring man, and like many in the music business, have charities and fundraising events which I support. But, in recent years the number of requests has exploded with expectations bordering on astounding.

Here are two fictitious examples, but based on true instances.

Request One: “We’d like you to open our fête at 2pm.”

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No problem. I love village fêtes. I’ve planned to spend half an hour there, and then go off to fulfil the other appointments for the day.

I arrive and am met by ‘Mrs Dick’, the head of the organising committee. “Thank you so much for coming, Mr Wakeman. The children are thrilled.” > That’s a lie. Only three of them have the vaguest idea who I am, and that’s because Granny has told them that there’s a fat bloke coming who she likes on Countdown.

Then I’m handed a schedule .

“You’re judging the fancy dress under-eight’s at 2.45pm, the rudest vegetable at 3.15pm, ‘Guess the weight of the cake’ at 4pm and you’re taking part in the egg and spoon race for Senior Citizens at 5pm.”

I politely explain I have to go at 2.30pm. Mrs Dick is crestfallen.

“If you’d asked me beforehand…,” I mumble . I open the fête and vanish. Now hated by all and sundry.

Request Two: “Could you perform at our fundraising dinner in Newcastle. Bring your keyboards.” I telephone the organiser.

“Could you tell me your budget, please, for my crew to get my equipment to you, and the hotel information?”

Organiser: “Errr, there is no budget for you. We’re a charity.”

“So you want me to pay for a crew, truck hire, diesel and hotels?”

Organiser: “We are a charity.”

“Is the hotel giving its banqueting suite free of charge? Is the hotel giving meals for nothing? Are the PA and lighting free?”

Organiser: “Of course not. We have to pay for all that.”

I would like to write more, but I’m just off to play on someone’s album for nothing.

(Am I f###).

Rick Wakeman

Rick Wakeman is one of progressive rock’s most distinctive keyboard players. Classically trained at the Royal College of Music, he first gained attention in the late 1960s as an in-demand session musician before joining Yes. Alongside his band work, Wakeman has built a successful solo career and has worked as a broadcaster, author and raconteur.