Grant Moon

The Knifeworld, Mediaeval Baebes and Anathema musician Charlie Cawood discusses his first solo album The Divine Abstract

In 1972 a rejected demo finds its way into the hands of a young maverick label boss. The eventual result is a commercial and cultural phenomenon: Mike Oldfield’s Tubular Bells

Jethro Tull founder and frontman Ian Anderson picks his records, artists and gigs of lasting significance, and reveals the Tull song he considers "a stinker" and "a real turkey"

Rising stars Kira Mac are doing it by themselves, but will give credit where's credit's due: "I don’t care what anyone says - Chad Kroeger's got the magic"

Prog pays tribute to the late Big Big Train frontman who touched so many lives, through his music and his warm and engaging personality

Neil Diamond's guitar tech Larry E. Williams wasn't a songwriter by trade, but then he came up Let Your Love Flow, an upbeat tune that sold millions

The second album from the Swedish prog collective following a five year hiatus in the 00s found them in continuing to blossom

Tim Bowness, one half of No-Man, on his new album’s guests, his mixer pal Steven Wilson, and what’s happening with their band

Fozzy frontman Chris Jericho on not taking no for an answer, mixing music and wrestling and liking British comedy

Some big names helped out on Classless Act's debut album Welcome To The Show, their current tour is with a bunch more, and there's every chance they're going to be serious contenders

Rush guitarist Alex Lifeson reveals why he couldn’t settle for a retirement on the golf course, and enthuses about the invigorating powers of his latest project Envy Of None

Steve Vai and Joe Satriani talk about each other's new albums, co-ordinating releases, and those old lessons

Metallica guitarist Kirk Hammett has long been a master of diverse musical styles, but only in his sixtieth year is he fully showcasing those talents, on his solo album Portals

In the midst of their last-ever tour, Genesis keyboard player and composer Tony Banks revealed how he never really wanted to play live, and how that all changed

On their tenth album X Spock's Beard dialled up the prog quota and looked to Marillion's business model for inspiration