
Dom Lawson
Dom Lawson has been writing for Metal Hammer and Prog for over 14 years and is extremely fond of heavy metal, progressive rock, coffee and snooker. He also contributes to The Guardian, Classic Rock, Bravewords and Blabbermouth and has previously written for Kerrang! magazine in the mid-2000s. From 2014-2016, Dom worked as Editor-At-Large at Metal Hammer, overseeing the front section of the magazine and helping to mould the some of the features that ran in print every month. Outside of his writing duties, Dom has been a longtime radio host for Total Rock, where he currently hosts The Dompilation Tapes, a show dedicated to excellent music from pretty much each and every genre you can think of. Much like his hero, Iron Maiden bassist and founding member Steve Harris, Dom is a lifelong West Ham supporter.
Latest articles by Dom Lawson

From that Pink Floyd cover to collabs with Corpsegrinder, Max Cavalera and more, new Body Count album Merciless is an ice-cold knock-out
By Dom Lawson published
Body Count only seem to improve with age courtesy of their heaviest album yet

How Geddy Lee geeked up for his Big Beautiful Book of Bass
By Dom Lawson published
Rush icon planned to buy 12 instruments for his own enjoyment – but when his collection reached 250 he decided to justify the expense by writing a 600-page book (of which 408 were published)

High Parasite are destined to be your new favourite goth metal band
By Dom Lawson published
With some true underground metal royalty in their ranks and a tour with Cradle Of Filth under their belts, High Parasite are the goth metal fix you've been looking for

Peter Hammill's Incoherence offers a unique glimpse into the febrile mind of a restless genius
By Dom Lawson published
An ambitious peak from a prog maverick revisited

The story of Love And Rockets, the former Bauhaus members who helped sell goth to America
By Dom Lawson published
Love And Rockets emerged from the ashes of Bauhaus – but unlike their old band, they hit big in the States

"They’ve never sounded as elegant or assured as they do here”: Klone’s The Unseen
By Dom Lawson published
Continuing the melodic explorations they began in 2019, French prog metallers’ 10th full-length album is a beautiful and sophisticated piece of work

Rosalie Cunningham's innate theatricality and clever songwriting shine on To Shoot Another Day
By Dom Lawson published
Glittering prog-psych indulgence for all

Why Trivium enlisted some superstar help to make Vengeance Falls
By Dom Lawson published
Trivium’s career has been a whirlwind of highs and lows – but with 2013’s Vengeance Falls, they finally learned to follow their own instincts...

How Rob Zombie brought the shlock back with killer metal sequel Hellbilly Deluxe 2
By Dom Lawson published
Most sequels suck – but Rob Zombie’s 2010 album Hellbilly Deluxe 2 put modern metal’s favourite boogie-man back on top

“This is very strange music!" Lunatic Soul and the making of Walking On A Flashlight Beam
By Dom Lawson published
With 2014's fourth album Walking On A Flashlight Beam Lunatic Soul found themselves travelling down a far deeper and darker path

How Metallica tried to reinvent the rock movie with Through The Never
By Dom Lawson published
2013 was a banner year for Metallica – a brand new record label, their first gigs in China and the ambitious but divisive 3D movie Through The Never

Tony Iommi unveils new skills on Fused and The DEP Sessions
By Dom Lawson published
The solo adventures of Black Sabbath's Tony Iommi, revisited

Blood Incantation's new album is only two songs long. It's also one of the best metal albums of 2024
By Dom Lawson published
Blood Incantation confirm themselves as one of the most innovative and interesting bands in modern death metal

How Machine Head followed a 21st century metal classic with Unto The Locust
By Dom Lawson published
Machine Head’s Unto The Locust was the follow-up to career high-point The Blackening – but Robb Flynn wasn’t feeling the presssure

When Marillion defied expectations (again) with Sounds That Can’t Be Made
By Dom Lawson published
The band deliberately – but doubtfully – pushed boundaries with the subjects they explored on their 17th studio album

Black metal maverick Gaahl returns to the well of weirdness on Trelldom's ...By The Shadows...
By Dom Lawson published
Trelldom only return when they have something to say, and new album ...By The Shadows... proves well worth the 17 year wait

How Megadeth’s Dave Mustaine used old rivalries to fuel 2009’s Endgame album
By Dom Lawson published
Megadeth‘s 2009 album Endgame capped a killer decade for the thrash veterans

“They sound like a prog pop band built for enormodomes”: Meer’s Wheels Within Wheels
By Dom Lawson published
Norwegian sibling-powered band increase the drama and bombast on perfectly-produced third album

Death metal veterans Nile have crafted their best album in nearly 20 years
By Dom Lawson published
No one does death metal quite like Nile. Their 10th album is a ferocious reminder of why

How Ice-T and Body Count returned to the fray to reclaim their throne with Manslaughter
By Dom Lawson published
Ice-T is one of metal’s most influential frontman, and 2014’s Manslaughter album proved it

The story of Machine Head’s Burn My Eyes, the game-changing album that revitalised 90s metal
By Dom Lawson published
On the 30th anniversary of Machine Head’s Burn My Eyes, mainman Robb Flynn looks back on the making of his band’s classic debut

“Energy, invention, badass musicianship”: Beardfish’s Destined Solitaire vinyl edition
By Dom Lawson published
Rikard Sjöblom and co mark their return with first vinyl version of breakthrough fifth album

The Tangent’s Andy Tillison wound up arguing with himself as he created To Follow Polaris
By Dom Lawson published
When circumstance presented the opportunity to face a challenge that had always intrigued him, the prog mastermind embraced it fully. But what will happen when his bandmates return?

“Every eight-minute Yes song could’ve been four two-minute singles!” XTC’s prog credentials
By Dom Lawson published
Emerging in the punk era, they were described as “too clever, “too quirky” and even as “prunk,” but Andy Partridge’s account of the band’s inspiration and motivation makes the truth crystal clear
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