
Dom Lawson
Dom Lawson has been writing for Metal Hammer and Prog for over 14 years and is extremely fond of heavy metal, progressive rock, coffee and snooker. He also contributes to The Guardian, Classic Rock, Bravewords and Blabbermouth and has previously written for Kerrang! magazine in the mid-2000s. From 2014-2016, Dom worked as Editor-At-Large at Metal Hammer, overseeing the front section of the magazine and helping to mould the some of the features that ran in print every month. Outside of his writing duties, Dom has been a longtime radio host for Total Rock, where he currently hosts The Dompilation Tapes, a show dedicated to excellent music from pretty much each and every genre you can think of. Much like his hero, Iron Maiden bassist and founding member Steve Harris, Dom is a lifelong West Ham supporter.
Latest articles by Dom Lawson

Why Ihsahn and his wife want you to listen to Radiohead
By Dom Lawson published
When people were just beginning to see that the Emperor man was a progressive musician, he’d long been all over Thom Yorke’s artistic bravery

How Steven Wilson and Mikael Åkerfeldt made Storm Corrosion a different kind of aggressive
By Dom Lawson published
Porcupine Tree and Opeth leaders’ 2012 collaboration wasn't what many people thought it would be – instead it was something more experimental which they described as “organic pagan minimalism”

“They couldn’t get the chicken feathers and blood cleaned up quick enough”: the epic story of Motorhead in the 21st century
By Dom Lawson published
How Motörhead’s late 90s and early 2000s three-piece line-up more than lived up to past glories

"A glistening benchmark for melodic rock excellence since the mid-80s": FM continue to glisten on Old Habits Die Hard
By Dom Lawson published
London’s AOR lifers FM keep up the good work on album number 14, Old Habits Die Hard

“There’s plenty to sustain and even expand the myth of their mission to reconstruct rock music”: Faust’s Momentaufnahme III
By Dom Lawson published
Infectious enthusiasm glows out of unheard curios and a few previously-released tracks

Melvins Tarantula Heart Metal Hammer Album Review: "Their best since the 90s"
By Dom Lawson published
Grunge forerunners and sludge metal pioneers Melvins are pushing the envelope again with their new - and 27th! - album Tarantula Heart

"We both wanted to rock out, so we started coming up with those kinds of pieces and it made us all feel great so we just kept going." Glass Hammer and the making of Dreaming City
By Dom Lawson published
Glass Hammer co-founder Steve Babb tells Prog why the band decided to step into the world of swords and sorcery for Dreaming City.

Every Judas Priest album ranked from worst to best
By Dom Lawson, Rich Hobson published
Judas Priest are the ultimate defenders of the faith: here's how we ranked their incredible, storied back catalogue

"No wonder this beautifully bleak record is so heavy": Faraoese doom merchants Hamferd prove the worst things do happen at sea with monolithic new concept album Men Guðs Hond Er Sterk
By Dom Lawson published
Based on real-life tragedy on the Faroe Islands, Hamfrerd;s new album Men Guðs Hond Er Sterk is one of the most stunningly crushing doom metal albums you're likely to hear in 2024

"It’s a maths geek’s love song to maths!" The story of Van der Graaf Generator's A Grounding In Numbers
By Dom Lawson published
Van der Graaf Generator's third reunion album, 2011's A Grounding In Numbers saw the trio working with shorter form but no less complex material

“Before I wrote The Cartographer, I would’ve avoided using anything except strings – because I didn’t understand and had no cause to”: Jo Quail learned to write for trombone just in time to add energy to her EP set Invocation/Supplication
By Dom Lawson published
Experimental cellist explains how she took two very different musical approaches and blended them with the very different voices of Maria Franz and Lorenzo Esposito Fornasari

“I shouldn’t speculate why we were singled out, other than because we were massively offensive”: how Cannibal Corpse became death metal’s first million selling band
By Dom Lawson published
Blood, guts and Jim Carrey – the epic story of death metal provocateurs Cannibal Corpse

“It might be significant that my two favourite pieces of music of all time are Supper’s Ready and Thick As A Brick”: What Iron Maiden’s Steve Harris learned from prog
By Dom Lawson published
The guiding light of NWOBHM geeks out on Peter Gabriel leaving Genesis, covering Jethro Tull but not wanting to meet Ian Anderson, the length of ELP solos, his struggle to get into Marillion and more

“People think we get our calculators out and work out some kind of complex mathematical formula”: how Meshuggah redefined tech metal for the 21st century
By Dom Lawson published
With 2008’s landmark obZen album, Meshuggah were streets ahead of the competition – and the kings of punking other bands

"We like to keep the fans on their toes, and we like to keep ourselves on our toes too." The story of Between The Buried & Me's Automata concept albums
By Dom Lawson published
US prog metallers Between The Buried & Me Automata concept albums were so complex the band released them as two separate discs

“While recovering, I didn’t want to stress myself out, so we didn’t rehearse as much. Luckily when I write the music, I give the hard parts to everyone else!” Earthside’s choice between aiming for perfection and getting their second album out ASAP
By Dom Lawson published
It took eight years to deliver Let The Truth Speak, amid world events, personal health issues and logistical challenges – but the result is bold, cinematic and defies all expectation

"We’re not a band that writes about fast cars, hot chicks and partying." How Queensrÿche got their prog metal groove back with The Verdict
By Dom Lawson published
Seven years into their reinvention with Todd La Torre at the front, the new, rebuilt Queensrÿche are stronger than ever before. But with album number 15, they haven’t lost sight of their past.

“Genesis, Floyd and ELP all received so much more popularity… I’ve always just accepted who and where we were and I don’t think about why we didn’t reach those same heights”: Andy Latimer is happy if Camel managed to matter
By Dom Lawson published
Despite having once discovered that “orchestras are a bunch of little kids and hooligans,” the band leader wanted to return to the Albert Hall after reinventing The Snow Goose

“A beautiful farewell from an instinctively progressive talent”: Talk Talk’s Mark Hollis made one stunning solo album, then walked away for ever
By Dom Lawson published
Vocalist’s 1998 release was full of prog promise for the future, but turned out to be his last artistic statement before his 2019 death

"This is highly evolved, ferociously intelligent brutality." Job For A Cowboy have returned after a decade away with a modern deathcore masterpiece in Moon Healer
By Dom Lawson published
Job For A Cowboy return in spectacular style for their first album in ten years

"It was an honour to watch Mick Mars play our dumb songs!" How a secret meeting, some serious growing up and a Motley Crue legend helped Murderdolls reunite for their final album
By Dom Lawson published
In 2010, Joey Jordison and Wednesday 13 reunited for another round of shock-rock mayhem

"The first thought about the band that went through my mind was: ‘The band’s over.'" How Avenged Sevenfold found the strength to carry on after the death of The Rev - with the unlikely help of Mike Portnoy and the guy who wrote 50 Cent's biggest hit
By Dom Lawson published
In 2010, Avenged Sevenfold attempted to rally and continue their career after experiencing the unimaginable

"The most ambitious and extravagant album of his career." Ihsahn's self-titled new album is a triumph for one of metal's greatest visionaries
By Dom Lawson published
Ihsahn's latest offering may just feature the best work of his career

“However high-falutin’ the intention, you’re still onstage as an entertainer, so make a performance out of it!” Jo Quail claims it’s easy to write orchestral prog metal - and to be fair, she does make it sound easy
By Dom Lawson published
Electric cellist’s classical-stroke-metal masterpiece The Cartographer makes maximum impact from one basic concept, but the real magic is in the delivery
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