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Pavlov's Dog: The Pekin Tapes

Their real debut album finally sees the light of day.

It says much about the conditions in the music industry during the early 1970s that Pavlov’s Dog were signed by ABC Records for over half a million dollars on the strength of this here album, which was promptly scrapped at the label’s behest.

That’s why Pampered Menial was the band’s official debut back in 1975. The reels for what is now known as The Pekin Tapes (being recorded as it was in Pekin, Illinois) were thought to have been lost when the studio, Golden Voice, burned down in 1977. However, through a twist of fate, a tape was apparently found last year in a private collection and has now been cleaned up enough to give us all an insight into the way Pavlov’s Dog sounded before Pampered Menial. Aside from hearing how some of the songs which ended up on Pampered Menial sounded in their early form, you also get a chance to hear a selection of others, which were eventually discarded. As far as the former collection goes, there’s definitely more of a kick to the likes of Subway Sue (which was later retitled Theme From Subway Sue), Song Dance and Natches Trace (which became Natchez Trace). The band are more stripped down and have a much heavier sound. The most astonishing comparison comes with the song Preludin & Fellacio In E Minor. It was subsequently shortened to Preludin’, and became a brief instrumental interlude. Here, though, it’s become a full-blown extravaganza. This allows the band to stretch out and show the ways in which they combined jazz, acid rock and classical inspirations. Of the songs which never made it on to Pampered Menial, the jazz fusion of Time and the haunting Clipper Ship should never have been consigned to the dumper. It makes you wonder why they were ignored in the first place. There are also four demo versions included in this set, but these really don’t add anything worthwhile to the finished package. The album is strong enough on its own not to need such ‘bonuses’.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.