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Møster: Edvard Lygre Møster

Sax-led, 21st century Norwegian prog jazz, live and loud.

Most bands appreciate that the real musical magic happens onstage before an appreciative audience. That’s certainly the case for saxophonist Kjetil Møster who, having assembled an all-star cast from the cream of the Norwegian prog jazz scene, unleashes a series of fiery howling choruses and frantically tumultuous grooves.

Thrillingly flailing somewhere between crunching hairy 70s rock and beatific Coltrane-like rapture, it has the kind of cranked-up heavy-duty impact most Marshalled-up rock bands can only dream about. Peppered with eerie atmospherics, the music is anchored by the insistent Wetton-esque bass of Elephant 9’s Nikolai Eilertsen and the unstoppable barrage of Motorpsycho’s Kenneth Kapstad.

Composition Task #1 is a haunting, beautiful tenor sax solo whose nimbly etched golden tracery falls upon an amorphous canvas of dreamy reverb. Elsewhere, Møster’s roaring baritone is belligerent, recalling Van der Graaf Generator’s mournful windswept textures and the brusque hurtling thud of Morphine’s Dana Colley.

Supersilent’s Ståle Storløkken brings distorted keyboards that add a pungent lead foil. A white-knuckle ride of an album.

Sid Smith
Sid Smith

Sid's feature articles and reviews have appeared in numerous publications including Prog, Classic Rock, Record Collector, Q, Mojo and Uncut. A full-time freelance writer with hundreds of sleevenotes and essays for both indie and major record labels to his credit, his book, In The Court Of King Crimson, an acclaimed biography of King Crimson, was substantially revised and expanded in 2019 to coincide with the band’s 50th Anniversary. Alongside appearances on radio and TV, he has lectured on jazz and progressive music in the UK and Europe.  

A resident of Whitley Bay in north-east England, he spends far too much time posting photographs of LPs he's listening to on Twitter and Facebook.