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Lloyd-Jones & Lambe: Ten years of the summer’s end prog rock festival

A joyous trip through a decade of prog devotion.

As you may well know, co-authors Lloyd-Jones and Lambe are the pair who run the acclaimed Summer’s End, and they’ve done a marvellous job in painting a portrait of what has made this festival work in the first 10 years of its existence.

If you’re looking for serious insights and salacious behind-the-scenes gossip, then this book isn’t for you – there’s none of that here. Instead we get conversations between Lloyd-Jones and Lambe on every one of the individual years, peppered with good photos of the relevant performers. Writing this in the form of a dialogue immediately gets you to the core of what makes the annual event work so well: these two clearly have a self-deprecating rapport, which comes across in the way they connect with one another. Every year is lovingly assessed in brief spurts of text, with appraisals of those who were on the bill and also the occasional amusing anecdote. The overall impression is that Summer’s End is a well-run festival that’s happy to remain a small, niche happening, rather than build itself into a huge commercial concern. While it would be reasonable to have expected a smattering of criticism of some of the bands who have appeared, nonetheless this wholesome approach is to be commended, because Lloyd-Jones and Lambe are genuinely grateful that so many well-known names are happy not only to play at Summer’s End, but to return when they can. And there’s no sign at all of any egos getting in the way. Moreover, there’s a welcome recognition that the fans are more than money machines: they are a crucial part of what makes Summer’s End the event it is. This really is a heartwarming book; grass‑roots prog brought to life.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.