Isurus: Logocharya

London prog metallers open up their Tool kit…

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

In much the same way that Pantera created the blueprint for contemporary metal with A Vulgar Display Of Power, so Tool spawned an entire school of progressive/alternative metal in the early 90s.

There’s also an awful lot of Tool on the second album from London’s Isurus. Frontman Braun Amore certainly has a distinctive voice, although his keening wail may not be to everyone’s taste, and periodically he suffers from an advanced form of Eddie Vedder Syndrome, stretching syllables into incomprehensibility. Drummer Thomas Drew stays busy throughout, although there is a surfeit of mid-tempo tracks and either some bursts of speed or doom-like moments of crushing heaviness would have provided some welcome variety. Guitarist David Bonney’s sound and tone show his debt to Tool’s Adam Jones, although his squawking breakdown in Opus brings RATM’s Tom Morello to mind. As they walk that line between alternative and progressive metal, bands like Isurus will always find their main challenge to be how to follow in the footsteps of Keenan and company without forever standing in their shadow. They’re not quite out of the darkness yet.

David West

After starting his writing career covering the unforgiving world of MMA, David moved into music journalism at Rhythm magazine, interviewing legends of the drum kit including Ginger Baker and Neil Peart. A regular contributor to Prog, he’s written for Metal Hammer, The Blues, Country Music Magazine and more. The author of Chasing Dragons: An Introduction To The Martial Arts Film, David shares his thoughts on kung fu movies in essays and videos for 88 Films, Arrow Films, and Eureka Entertainment. He firmly believes Steely Dan’s Reelin’ In The Years is the tuniest tune ever tuned.