Flame Tree Feat Nik Turner album review

Thunder in the mountains.

Flame Tree featuring Nik Turner album artwork

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Ah, the Thunder Rider… Of all the Hawkwind alumni, there’s no one quite as fiercely experimental as Nik Turner. It might appear that his every step leads him further out, but he was pretty far out to begin with, in the sonic sense. Even prior to Hawkwind, Turner had happened upon the concept of free jazz while in Berlin with Edgar Froese, and with the notion of ‘freaking about on saxophones’ in his head, he’d decided to ally such improvisational grooving with rock’n’roll. Here Turner takes his recorded oeuvre outside of the rock setting it’s largely inhabited since the first Hawkwind album and truly explores its avant-garde origins.

If 2015’s Space Fusion Odyssey was a bold first step, this collection with Seattle-based psych-prog ensemble Flame Tree represents a giant leap. Fair warning: this is a free-jazz album, with significantly more in common with Ornette Coleman than Hawkwind. While Turner’s tone recalls some of his more mainstream and accessible formative influences, the improvised material can jar and challenge with as little harmonic compromise as Coleman, Eric Dolphy and Rahsaan Roland Kirk. Rock-attuned ears might take some acclimatising, but persevere and the rewards are rich.

Classic Rock’s Reviews Editor for the last 19 years, Ian stapled his first fanzine in 1977. Since misspending his youth by way of ‘research’ his work has also appeared in such publications as Metal Hammer, Prog, NME, Uncut, Kerrang!, VOX, The Face, The Guardian, Total Guitar, Guitarist, Electronic Sound, Record Collector and across the internet. Permanently buried under mountains of recorded media, ears ringing from a lifetime of gigs, he enjoys nothing more than recreationally throttling a guitar and following a baptism of punk fire has played in bands for 45 years, releasing recordings via Esoteric Antenna and Cleopatra Records.