Prog Reviews
Latest Reviews on Prog

“As smart and surprising as Cardiacs themselves”: A Big Book And A Band And A Whole World Window
By Jo Kendall published
The idiosyncratic English art-rockers’ history is detailed in a pleasingly DIY limited-edition chunky read.

“Welcome textures… but the mix lacks coherence”: White Willow’s remaster of Storm Season
By David West published
Mainman Jacob Holm-Lupo took his band in a new direction with 2004 release, but the material shows its age in latest update

Seven Impale’s City Of The Sun: 10th anniversary edition
By Dom Lawson published
Charting a different course from their Scandinavian contemporaries, new version of their debut album confirms they were right to record without a click track – or indeed brakes

Hawkwind’s Live At The Royal Albert Hall is much more than just another live album
By Julian Marszalek published
Triple-disc set captures the space rock veterans’ sonic destruction at celebratory event, which shows how well their latest music sits with their early work – and inspires thoughts of music yet to come

"Ahead of the art-rock curve": Bill Nelson’s Quit Dreaming And Get On The Beam Deluxe Box Set
By James McNair published
Ex-Be Bop Deluxe leader’s 1981 solo release is greatly expanded to impressive effect

"Get lost sheer magic, audacity and absurdity": The Bonzo Dog Doo-Dah Band’s Still Barking
By Daryl Easlea published
17 CDs and three DVDs provide everything you need to know about a counterculture band many have heard of, but fewer have listened to

“Neither as lightweight nor cheesy as some say: Jethro Tull’s Fresh Snow At Christmas
By Dave Everley published
Box set edition of 2003 release proves that, even though it was viewed as a curio, it’s in line with Ian Anderson’s regular musical explorations

The Flaming Lips’ Blu-ray edition of Yoshimi Battles The Pink Robots
By Jeremy Allen published
Lauded concept album from Oklahoma City’s finest has lost nothing in 22 years, while gaining new nuance in Dolby Atmos

“His strident yet emotive voice is a remarkable legacy”: John Wetton’s Concentus live box set
By Philip Wilding published
Expansive 10-disc collection is the first of three charting decades of his onstage work

Aphrodite’s Child witness the end of the world again with a repackaged 666
By Jeremy Allen published
The Greek trio’s musical take on the apocalyptic Gospel of John returns 52 years on with far less controversy and unbroken artistic impact

Klaus Shulze’s 101 Milky Way, rescued from the vault, is a compelling journey
By Mike Barnes published
80-minute work from 2009 – of which just a fraction was used in a movie soundtrack – was rescued from his vault following his 2022 death

“Time has reframed it as a pivotal album”: Marillion’s This Strange Engine Deluxe Edition
By Dave Everley published
Marking an and and a beginning for the band, this extended version of the 1997 original states its case as an elegant outlier in their catalogue

Tears For Fears’ Songs For A Nervous Planet blends live tracks with four powerful new songs
By Chris Roberts published
As 2022’s The Tipping Point confirmed, they’ve always known how to go big without ever going over the top

“Joyously entertaining and utterly committed”: Solstice’s Return To Cropredy video edition
By Gary McKenzie published
Glorious visual celebration of the neo-prog survivors in the present, accompanied by New Light, a fascinating documentary of their past

Neal Morse breaks out more sumptuous melodies on No Hill For A Climber
By Dave Ling published
Transatlantic leader’s latest album sees him working with younger musicians and letting them work their own magic – while adding plenty of his own

Crippled Black Phoenix: The Wolf Changes Its Fur But Not Its Nature / Horrific Honorifics No.2
By Dom Lawson last updated
Dark proggers revisit their past and banish memories of bad blood in a collection of re-recordings that could easily have been so much less, plus a set of impressive covers

Rosalie Cunningam’s To Shoot Another Day is her confident album yet – and full of fun
By Jo Kendall published
Former Purson leader’s third solo album is far more self-assured than her first two outings, with a loose concept that lets her imagination run wild
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