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Taylor Hawkins: My Prog Heroes

“I got into prog when I started drumming. I must have been 10 or 11, and the first band I heard were Rush. It was the live album Exit…Stage Left [1981]. I picked up so much from listening to Neil Peart.

“In fact, I got the chance to play with Geddy Lee and Alex Lifeson when I was in Toronto not that long ago. The guy who produces us, Nick Raskulinecz, also worked with Rush on their Snakes & Arrows album, and he called them up and arranged it all. You can imagine how nervous I was, but I got through YYZ with them. Even though they told me I was playing too fast! The nerves I was going through; here I was replacing Neil Peart in Rush – well, almost!

“It was thanks to Rush that I got into Genesis. After listening to Neil, I bought the Seconds Out live album, which was released in 1977. It’s just amazing. Not only hearing Phil Collins playing the drums, but also singing. He gets a really bad rap from some people for ‘daring’ to take over after Peter Gabriel quit, but you just hear the way he sounds here. The beauty of this album is that it’s got songs from …Trick Of The Tail, the first album Genesis did without Gabriel.

“Collins is an incredible drummer. Anyone who wants to be good on the drums should check him out – the man is a master.

“While I regard Phil Collins in Genesis – as opposed to his solo stuff – as a genuine prog hero, I must make mention of a few others. Where would prog have been without the Beatles? The Sgt. Pepper album is perhaps the first really progressive album. That started it all, as far as I’m concerned. And how can you not also worship the Queen II record? Also, one other band worth a mention are The Police. I know they’re regarded as a pop band. But you listen to the level of musicianship they invoked – how brilliant were they? This was a band who could do it all, and made the concept of musicianship so cool. They had an influence on so many others – after all, would Rush have attempted something like …Spirit Of Radio with the reggae part were it not for The Police?

”That I think is the beauty of great progressive music – it can take you anywhere. The likes of Rush and Genesis – and also Yes, The Who – was that they weren’t prepared to be pigeon-holed. The music world was their oyster and they’d be ready to take on any challenge. The great thing about us as prog fans is that we always accepted their right to explore!”

Malcolm Dome had an illustrious and celebrated career which stretched back to working for Record Mirror magazine in the late 70s and Metal Fury in the early 80s before joining Kerrang! at its launch in 1981. His first book, Encyclopedia Metallica (opens in new tab), published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the Anthrax song Metal Thrashing Mad in 1984. He would later become a founding member of RAW rock magazine in 1988.

In the early 90s, Malcolm Dome was the Editor of Metal Forces magazine, and also involved in the horror film magazine Terror, before returning to Kerrang! for a spell. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He was actively involved in Total Rock Radio (opens in new tab), which launched as Rock Radio Network in 1997, changing its name to Total Rock in 2000. In 2014 he joined the TeamRock online team as Archive Editor, uploading stories from all of our print titles and helping lay the foundation for what became Louder.

Dome was the author of many books on a host of bands from AC/DC to Led Zeppelin and Metallica, some of which he co-wrote with Prog Editor Jerry Ewing.