
Julian Marszalek
Julian Marszalek is the former Reviews Editor of The Blues Magazine. He has written about music for Music365, Yahoo! Music, The Quietus, The Guardian, NME and Shindig! among many others. As the Deputy Online News Editor at Xfm he revealed exclusively that Nick Cave’s second novel was on the way. During his two-decade career, he’s interviewed the likes of Keith Richards, Jimmy Page and Ozzy Osbourne, and has been ranted at by John Lydon. He’s also in the select group of music journalists to have actually got on with Lou Reed. Marszalek taught music journalism at Middlesex University and co-ran the genre-fluid Stow Festival in Walthamstow for six years.
Latest articles by Julian Marszalek

“It’s 5 days since they released new music – was starting to think we’d never hear from them again”: King Gizzard And The Lizard Wizard’s 24 albums in 11 years? It’s like taking out the trash
By Julian Marszalek published
Stu Mackenzie, leader of the Australian sextet behind a total of 27 studio records to date, finds the fun in a massive back-catalogue, and lives by the advice his mother-in-law gave him

Paul Gilbert on the genius of Allan Holdsworth, and the one song that proves it
By Julian Marszalek published
The former Mr Big guitarist and solo artist discovered his prog hero via Eddie Van Halen – and even tried to play like him for a while

Before Crowded House, before their new-wave hits, Split Enz were unabashedly prog
By Julian Marszalek published
New Zealanders’ 1975 debut album Mental Notes has been unfairly forgotten in the light of the creators’ later successes

Why Steven Wilson launched his own digital music platform
By Julian Marszalek published
He hopes to overcome the limitations of physical media and streaming, and wants other artists to join him

The “moving” Paul McCartney documentary that shows the failures between the triumphs
By Julian Marszalek published
Paul McCartney: Man On The Run spotlights the trials and triumphs of the post-Beatles 70s

“I didn’t realise just how prog Genesis were”: When Rivers Meet’s Aaron Bond came late to the prog party
By Julian Marszalek published
Blues guitarist discusses his passion for Phil Collins and co’s latterday work

“The email said, ‘John is looking for you.’ I thought I was in trouble!” How John Cale voiced a song for Cate Le Bon
By Julian Marszalek published
Michelangelo Dying, which she says is more of an exorcism than an album, was nearly released without Cale performing on the track Ride, because she was too afraid to ask him

Perturbator aka James Kent on why Vangelis’ music endures
By Julian Marszalek published
French electronic composer discovered Greek genius through the Blade Runner soundtrack, and began to incorporate similar ideas in his own work – even if he didn’t have the technology to do it

Prog's 50 best albums of the year 2025
By Jerry Ewing, Dave Everley, Julian Marszalek, Phil Weller published
The prog genre has enjoyed an incredible year in 2025. Here are our top 50 albums of the past 12 months – did your favourite make the cut?

Every album by The Cramps ranked from worst to best
By Julian Marszalek published
Celebrating the finest in American trash and kitsch culture, The Cramps played rock’n’roll at its delinquent, B-movie best

Jo Quail’s music education was free. She believes yours should be too
By Julian Marszalek published
Virtuoso on pushing her boundaries with latest album Notan and upcoming companion Ianus, and how she acts on her belief that music training is a right, not a privilege

The story of David Bowie's Ziggy Stardust and the moments that made him a star
By Julian Marszalek published
Band members, friends and associates tell the story of The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

Paradise Lost’s Gregor Mackintosh escaped genre restrictions and embraced Dead Can Dance
By Julian Marszalek published
Guitarist says British-Australian outfit are “truly progressive” and confirms their darkest album is his favourite

The Utopia Strong’s Doperider is an epic psychonaut’s journey
By Julian Marszalek published
Unlikely supergroup’s third album moves away from Krautrock to explore new territories

This 1995 album contains hip hop, dub, soul, industrial and ambient music. And it’s very, very prog
By Julian Marszalek published
Its creator had already done groundbreaking trip hop work before discovering a teenage vocalist who gave form to deeply personal reflections on the tensions of the time

“She went out and bought the entire catalogue!" Rush inspired Britrock band’s collective moment
By Julian Marszalek published
Guitarist had always loved the Canadian trio, but his colleagues had barely heard of them until one night on the road in 2010

Cluster’s noise terrorism revisited on Cluster II
By Julian Marszalek published
Hans-Joachim Roedelius and Dieter Moebius’ pioneering electronic work receives a 21st-century sheen

The Pretenders’ James Walbourne on discovering Richard Thompson (his father-in-law)
By Julian Marszalek published
Walbourne details the folk-prog veteran’s Robert Johnson-like magic, and draws a comparison with Chrissie Hynde

Dan Hawkins hates how The Darkness treated Ian Anderson
By Julian Marszalek published
Guitarist says one of the worst days of his life came when a song featuring the Jethro Tull leader was dropped from their 2012 comeback album

Brian Eno and Beatie Wolfe’s Luminal and Lateral are a double victory
By Julian Marszalek published
Stunning collaboration yields two albums that are different – while also, somehow, the same

What’s left for The Mighty Hawkwind to achieve? They have a few ideas
By Julian Marszalek published
56 years and 37 studio albums in, Dave Brock’s band remain determined to push boundaries, harnessing new tech and new ideas while staying true to their focus on powerpacked live performances

Why Split Dogs could be the new/old sound of punk to come
By Julian Marszalek published
Punk’n’rollers Split Dogs bust out of their West Country origins to show that they’re best in breed

“His carefree aesthetic is wonderfully captured’”: Kevin Ayers’ Shooting At The Moon
By Julian Marszalek published
Canterbury icon’s erratic second album, on vinyl for the first time, shines with the contributions of Mike Oldfield and Lol Coxhill

“Such a foundational thing”: Drive-By Truckers’ Patterson Hood hails The Edgar Winter Group
By Julian Marszalek published
1973 hit single was a key moment in the singer-guitarist’s musical history

"If we’d kept things together and stopped arguing, we could have all been multi-millionaires!" The story of Hawkwind's most prog-friendly album, Warrior On The Edge Of Time
By Joe Banks, Julian Marszalek published
Bruised and battle-weary after a punishing live schedule, in 1975 Hawkwind weren’t in the best place ahead of recording their fifth studio LP. But what emerged was a stunning tour de force of science fantasy-inspired progressive space rock
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