Wishbone Ash: Elegant Stealth

That’s Andy’s Ash, no Turner.

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They may have retained relative chart anonymity for 30-odd years (while pursuing ball-busting gig schedules), but it’s worth remembering that, in the 70s, Wishbone Ash were major figures in British rock.

Pioneering the twin lead guitar approach, they were endorsed by Ritchie Blackmore and subsequently emulated by everyone from Thin Lizzy to Opeth. But 28 albums, various experiments, a myriad line-up shuffles and one bitterly contested title-ownership feud (there’s also a Martin Turner’s Wishbone Ash on the go) later, can any of the inspiration behind their brilliant Pilgrimage and Argus albums be spotted in their music today?

Happily, Elegant Stealth is clearly recognisable as a Wishbone Ash work. Can’t Go It Alone and Give It Up boast beautiful prog-tinged guitar, while the sweeping, arpeggio-dominated technicality in Warm Tears echoes the style of their heyday. Lovely.

However, some tracks tend to wander and aren’t helped by some frankly godawful lyrics, the pseudo-political ramblings of Migrant Worker being the biggest offender. This, in turn, does no favours for some unremarkable vocals – arguably a bit of an Achilles heel.

A range of styles are included. Big Issues flirts with funk (good), Mud Slick is all-out dirty blues (also good), and opener Reason To Believe appears in a hidden dance remix (best left hidden…).

Not an Argus, then, but should be well-received by a devout – if profoundly split – WA following.

Polly Glass
Deputy Editor, Classic Rock

Polly is deputy editor at Classic Rock magazine, where she writes and commissions regular pieces and longer reads (including new band coverage), and has interviewed rock's biggest and newest names. She also contributes to Louder, Prog and Metal Hammer and talks about songs on the 20 Minute Club podcast. Elsewhere she's had work published in The Musician, delicious. magazine (opens in new tab) and others, and written biographies for various album campaigns. In a previous life as a women's magazine junior she interviewed Tracey Emin and Lily James – and wangled Rival Sons into the arts pages. In her spare time she writes fiction and cooks.