You can trust Louder
We’re barely a full song into Central Flow and there’s already that unique wooziness only David Baker can conjure. Twenty years ago Baker specialised in discombobulating psychotronica with his group Mercury Rev. He parted ways with the Rev after second album Boces, and although the band’s fortunes soared, it was at the expense of their experimentalism and cult standing.
Now Baker returns with collaborator Will McClean in Variety Lights (named after the vaudevillian troupe in Fellini’s 1950 film). The codeine/pop-psych refraction is back, pulling you into a warm ‘n’ fuzzy analogue vortex.
These are songs, yes, but mainly synth-based, lymphatic impressions that sweep over the listener. Sea Faraway punctuates the brume with an alarm-bell boogie, Invisible Forest is Hungry Like The Wolf spliced by Suicide. Silent Too Long marches to a parpalong Casio beat next to Sell Your Soul’s heliumed cha cha. Crystal Cove recalls both Tipsy’s downtempo exotica and John S Hall and Kramer’s slanted musings.
‘Everyone’s gonna be singing delirious songs,’ burbles the febrile mastermind on the jaunty Establishment. Jabs could well be an option.
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Jo is a journalist, podcaster, event host and music industry lecturer who joined Kerrang! in 1999 and then the dark side – Prog – a decade later as Deputy Editor. Jo's had tea with Robert Fripp, touched Ian Anderson's favourite flute (!) and asked Suzi Quatro what one wears under a leather catsuit. Jo is now Associate Editor of Prog, and a regular contributor to Classic Rock. She continues to spread the experimental and psychedelic music-based word amid unsuspecting students at BIMM Institute London and can be occasionally heard polluting the BBC Radio airwaves as a pop and rock pundit. Steven Wilson still owes her £3, which he borrowed to pay for parking before a King Crimson show in Aylesbury.