Sha's Feckel: Greatest Hits

Promising, wryly titled debut EP from some rogue Ronin.

You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.

As members of Nik Bärtsch’s Ronin, sax player Sha and drummer Kaspar Rast contribute impeccably taut and sparse lines to that group’s patented brand of ‘zen funk’. Released from those necessary constraints, the pair can stretch out, and are found here on fiery and thrillingly explosive form. Joined by guitarist Urs Müller and bassist Lionel Gafner, this live recording combines elements of jazz and rock but is emphatically not prone to any sleek noodling whatsoever.

Beginning with a cloud of glowering feedback, their energetic takes on Oceansize’s Build Us A Rocket Then… and Massive Bereavement exert a steely authority on frantic interlocking sections.

The remaining Sha-composed tracks are no less invigorating, slipping gamely from sultry, slow-build shuffles, riotous VdGG-like rifferama-dramas, impressionistic daubs and crunching, full-frontal chordal attacks. Guitar and sax frequently spiral up in gravity-defying unison, fierce yet intensely melodic.

Driven by an inventive rhythm section whose crisp, intelligent delivery pushes and stokes the band, this is a sturdy and muscular EP-sized debut. It’s short, but rich with promise.

Sid Smith

Sid's feature articles and reviews have appeared in numerous publications including Prog, Classic Rock, Record Collector, Q, Mojo and Uncut. A full-time freelance writer with hundreds of sleevenotes and essays for both indie and major record labels to his credit, his book, In The Court Of King Crimson, an acclaimed biography of King Crimson, was substantially revised and expanded in 2019 to coincide with the band’s 50th Anniversary. Alongside appearances on radio and TV, he has lectured on jazz and progressive music in the UK and Europe.  

A resident of Whitley Bay in north-east England, he spends far too much time posting photographs of LPs he's listening to on Twitter and Facebook.