You can trust Louder Our experienced team has worked for some of the biggest brands in music. From testing headphones to reviewing albums, our experts aim to create reviews you can trust. Find out more about how we review.
Last April Renaissance played their first London show for 15 years, the prog-folk phoenixes defiantly surviving the death of chief songwriter Michael Dunford, and Annie Haslam’s own health issues.
Initially formed from the ashes of The Yardbirds, they’ve always been an acquired taste, with a tendency to swerve into neo-classical movements. Haslam’s helium-high voice remains just this side of shrill.
Captured on film by a director who loves the chapel’s architecture and the colours blue and gold, the evening was a celebration of a career in which their one hit – 1978’s Northern Lights – only confused them as to what they were about.
Now the mainly American line-up sound like Renaissance Redux: newer material is unapologetically grandiose. Fan favourites like Mother Russia and Ashes Are Burning wallow in melodrama and only reach resolution when everyone (including former Yes keyboardist Tom Brislin) has had a solo or two. A robust revival.
