You can trust Louder
Instead, die-cast anthems like Our Finest Hour and Let’s All Go To Hades and slow-burning epics like the closing title track give the firm impression that Overkill are every bit as furious and virile as they were in the early 80s. Best of all, these songs are absolutely guaranteed to slot violently into the band’s setlists when they embark on yet another gruelling world tour. Thirty-seven years down, Overkill are persistence incarnate and a noble, unerring force in an age of uncertainty. Long may they brutalise our neck muscles.
Overkill's Bobby “Blitz” Ellsworth - The 10 Records That Changed My Life
The complete history of Overkill
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Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair. He is politically homeless and has an excellent beard.
