Kreator's Hate Uber Alles sounds like a knife fight waiting to happen

Euro-thrash icons Kreator defy the ravages of time on 15th album Hate Uber Alles

Kreator: Hate Uber Alles cover art
(Image: © Nuclear Blast)

Why you can trust Louder Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

Germany’s Kreator were always the connoisseur’s thrash band of choice: vicious and gimlet-eyed, they swerved the acne-cream-’n’-vodka-fuelled buffoonery of some of their American counterparts. Forty years into their career, that unrelenting approach has dimmed only slightly. 

Recorded at Berlin’s fabled Hansa Tonstudio, the 11 tracks that make up Hate Über Alles are sharper than a cut-throat razor. The title track and Killer Of Jesus are relentless barrages of double kick drums and frontman Mille Petrozza’s demon-dog bark, punctuated by rabble-rousing backing vocals and the occasional glimpse of melody. 

Even when they slow it down, as on the crawling Crush The Tyrants, it still sounds like a knife fight waiting to happen. 

It’s not all non-stop belligerence, though. Dying Planet’s on-the-nose title suggests there’s a conscience lying beneath the extreme aggression, even if it’s wreathed in pessimism. But mostly this album is Kreator doing what they’ve done for decades, which is serving up viciousness like no one else.

Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock, Associate Editor on Q magazine and staff writer/tea boy on Raw, not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo, the Evening Standard and the totally legendary Ultrakill. He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.