Bombs Of Hades: The Serpent’s Redemption

Grubby Swedes storm the punk/ metal barricades

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Rolling around in their own filth amidst the hazy fog between crustpunk and dirty death metal, Bombs Of Hades wouldn’t know subtlety if it violated their most delicate orifices with a giant dildo of frozen snot. This, of course, is a very good thing indeed.

The Serpent’s Redemption makes no apologies for adhering to a strict policy of lobotomised nihilist worship, clattering d-beat sprints and vocals barfed up from the Devil’s own festering stomach soup. Either black-eyed and casually psychotic or brimming with unhinged hostility, the likes of Burn and Incubus Descending offer little beyond sustained bursts of furious, adrenalised goop and are all the more satisfying as a result.

There are a few occasions when these Swedish delinquents exhibit a slightly less myopic approach, most notably on the Asphyx-like slither of the punchy title track and the rumbling Unleashed-isms and impish, shlock rock outro of epic closing nightmare Scorched Earth. But for the most part this is a straightforward heads-down-and-pass-the-bucket assault and further proof that a punk rock mohawk is really just a metalhead’s long hair pointing ever upwards.

Dom Lawson
Writer

Dom Lawson began his inauspicious career as a music journalist in 1999. He wrote for Kerrang! for seven years, before moving to Metal Hammer and Prog Magazine in 2007. His primary interests are heavy metal, progressive rock, coffee, snooker and despair. He is politically homeless and has an excellent beard.