Musselwhite can’t drop Cristo

Charlie Musselwhite tried to drop trademark track Cristo Redentor from his live set – but he’s always forced to bring it back.

That doesn’t bother the award-winning harp hero, because he remains in love with the piece he made his own decades ago.

Musselwhite tells “I don’t know of another song like it. I just start playing the first few notes, and it’s like the spirit of the song shows up and takes me where it wants to go.”

He adds: “For a while there, I was thinking, ‘People must be getting bored with this. I’m going to quit playing it.’ Then they’d come up at the end of the night, angry, saying, ‘I waited to hear Cristo Redentor and you didn’t play it!’

“That happened enough that I knew people really did want to keep hearing it. So every night I end with Cristo – and it always seems different every time I play it.”

The track was written by jazz pianist Duke Pearson, before Musselwhite made it his own via his 1967 debut album Stand Back! Here Comes Charley Musselwhite’s Southside Band.

The 71-year-old reflects: “It’s always interesting to play what I play in a different setting, or add blues to music that’s not really blues, but still has feeling.”

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Not only is one-time online news editor Martin an established rock journalist and drummer, but he’s also penned several books on music history, including SAHB Story: The Tale of the Sensational Alex Harvey Band (opens in new tab), a band he once managed, and the best-selling Apollo Memories (opens in new tab) about the history of the legendary and infamous Glasgow Apollo. Martin has written for Classic Rock and Prog and at one time had written more articles for Louder than anyone else (we think he's second now). He’s appeared on TV and when not delving intro all things music, can be found travelling along the UK’s vast canal network.